User manual
Table Of Contents
- Table of Contents
- Part I: Getting into the details
- About this manual
- VST Connections: Setting up input and output busses
- The Project window
- Playback and the Transport panel
- Recording
- Fades, crossfades and envelopes
- The Arranger track
- Folder tracks
- Using markers
- The Transpose functions
- The mixer
- Control Room (Cubase only)
- Audio effects
- VST Instruments and Instrument tracks
- Introduction
- VST Instrument channels vs. instrument tracks
- VST Instrument channels
- Instrument tracks
- Comparison
- Automation considerations
- What do I need? Instrument channel or Instrument track?
- Instrument Freeze
- VST instruments and processor load
- Using presets for VSTi configuration
- About latency
- External instruments (Cubase only)
- Surround sound (Cubase only)
- Audio processing and functions
- The Sample Editor
- The Audio Part Editor
- The Pool
- VST Sound
- The MediaBay
- Track Presets
- Track Quick Controls
- Automation
- MIDI realtime parameters and effects
- MIDI processing and quantizing
- The MIDI editors
- The Logical Editor, Transformer and Input Transformer
- The Project Logical Editor
- Working with System Exclusive messages
- Working with the Tempo track
- The Project Browser
- Export Audio Mixdown
- Synchronization
- Video
- ReWire
- File handling
- Customizing
- Key commands
- Part II: Score layout and printing
- How the Score Editor works
- The basics
- About this chapter
- Preparations
- Opening the Score Editor
- The project cursor
- Page Mode
- Changing the Zoom factor
- The active staff
- Making page setup settings
- Designing your work space
- About the Score Editor context menus
- About dialogs in the Score Editor
- Setting key, clef and time signature
- Transposing instruments
- Working order
- Force update
- Transcribing MIDI recordings
- About this chapter
- About transcription
- Getting the parts ready
- Strategies: Preparing parts for score printout
- Staff settings
- The Main tab
- The Options tab
- The Polyphonic tab
- The Tablature tab
- Situations which require additional techniques
- Inserting display quantize changes
- Strategies: Adding display quantize changes
- The Explode function
- Using “Scores Notes To MIDI”
- Entering and editing notes
- About this chapter
- Score settings
- Note values and positions
- Adding and editing notes
- Selecting notes
- Moving notes
- Duplicating notes
- Cut, copy and paste
- Editing pitches of individual notes
- Changing the length of notes
- Splitting a note in two
- Working with the Display Quantize tool
- Split (piano) staves
- Strategies: Multiple staves
- Inserting and editing clefs, keys or time signatures
- Deleting notes
- Staff settings
- Polyphonic voicing
- About this chapter
- Background: Polyphonic voicing
- Setting up the voices
- Strategies: How many voices do I need?
- Entering notes into voices
- Checking which voice a note belongs to
- Moving notes between voices
- Handling rests
- Voices and display quantize
- Creating crossed voicings
- Automatic polyphonic voicing - Merge All Staves
- Converting voices to tracks - Extract Voices
- Additional note and rest formatting
- Working with symbols
- Working with chords
- Working with text
- Working with layouts
- Working with MusicXML
- Designing your score: additional techniques
- Scoring for drums
- Creating tablature
- The score and MIDI playback
- Printing and exporting pages
- Frequently asked questions
- Tips and Tricks
- Index
243
The Sample Editor
Editing selection ranges
Selections in the Sample Editor can be processed in sev-
eral ways. Please note:
• If you attempt to edit an event that is a shared copy (i.e.
the event refers to a clip that is used by other events in the
project), you are asked whether you want to create a new
version of the clip or not (if you haven’t made a “perma-
nent” choice already – see below).
Select “New Version” if you want the editing to affect the selected event
only. Select “Continue” if you want the editing to affect all shared copies.
Note: If you activate the option “Do not show this message again” in the
dialog, any further editing you do will conform to the selected method
(“Continue” or “New Version”). You can change this setting at any time
with the “On Processing Shared Clips” pop-up menu in the Preferences
(Editing–Audio page).
• Any changes to the clip will appear in the Offline Process
History, making it possible to undo them at a later point (see
“The Offline Process History dialog” on page 227).
Cut, Copy and Paste
The Cut, Copy and Paste commands (on the Edit menu in
the Process tab of the Sample Editor Inspector or in the
main Edit menu) work according to the following rules:
• Selecting Copy copies the selection to the clipboard.
• Selecting Cut removes the selection from the clip and
moves it to the clipboard.
The section to the right of the selection is moved to the left to fill out the
gap.
• Selecting Paste copies the data on the clipboard into
the clip.
If there is a selection in the editor, this will be replaced by the pasted
data. If there is no selection, the pasted data will be inserted starting at
the selection line. The section to the right of the line will be moved to
make room for the pasted material.
The pasted data will be inserted at the selection line.
Delete
Selecting Delete (on the Edit menu in the Process tab of
the Sample Editor Inspector or in the main Edit menu or
pressing [Backspace]) removes the selection from the
clip. The section to the right of the selection is moved to
the left to fill out the gap.
Insert Silence
Selecting “Insert Silence” (on the Edit menu in the Pro-
cess tab of the Sample Editor Inspector or in the Range
submenu of the main Edit menu) will insert a silent section
with the same length as the current selection, at the selec-
tion start.
• The selection will not be replaced, but moved to the
right to make room.
If you want to replace the selection, use the “Silence” function instead
(see “Silence” on page 224).
Processing
Processing (on the Select Process menu in the Process
tab of the Sample Editor Inspector or in the Process sub-
menu on the Audio menu) can be applied to selections in
the Sample Editor, as can the effects (on the Select Plug-
in menu in the Process tab of the Sample Editor Inspector
or in the Plug-ins submenu on the Audio menu). See the
chapter “Audio processing and functions” on page 216.
Creating a new event from the selection
You can create a new event that plays only the selected
range, using the following method:
1. Make a selection range.
2. Press [Ctrl]/[Command] and drag the selection range
to the desired audio track in the Project window.
Creating a new clip or audio file from the selection
You can extract a selection from an event and either cre-
ate a new clip or a new audio file, in the following way:
1. Make a selection range.
2. Right-click to open the Quick menu and select
“Bounce Selection” from the Audio submenu.