User manual
Table Of Contents
- Table of Contents
- Part I: Getting into the details
- About this manual
- VST Connections: Setting up input and output busses
- The Project window
- Playback and the Transport panel
- Recording
- Fades, crossfades and envelopes
- The Arranger track
- Folder tracks
- Using markers
- The Transpose functions
- The mixer
- Control Room (Cubase only)
- Audio effects
- VST Instruments and Instrument tracks
- Introduction
- VST Instrument channels vs. instrument tracks
- VST Instrument channels
- Instrument tracks
- Comparison
- Automation considerations
- What do I need? Instrument channel or Instrument track?
- Instrument Freeze
- VST instruments and processor load
- Using presets for VSTi configuration
- About latency
- External instruments (Cubase only)
- Surround sound (Cubase only)
- Audio processing and functions
- The Sample Editor
- The Audio Part Editor
- The Pool
- VST Sound
- The MediaBay
- Track Presets
- Track Quick Controls
- Automation
- MIDI realtime parameters and effects
- MIDI processing and quantizing
- The MIDI editors
- The Logical Editor, Transformer and Input Transformer
- The Project Logical Editor
- Working with System Exclusive messages
- Working with the Tempo track
- The Project Browser
- Export Audio Mixdown
- Synchronization
- Video
- ReWire
- File handling
- Customizing
- Key commands
- Part II: Score layout and printing
- How the Score Editor works
- The basics
- About this chapter
- Preparations
- Opening the Score Editor
- The project cursor
- Page Mode
- Changing the Zoom factor
- The active staff
- Making page setup settings
- Designing your work space
- About the Score Editor context menus
- About dialogs in the Score Editor
- Setting key, clef and time signature
- Transposing instruments
- Working order
- Force update
- Transcribing MIDI recordings
- About this chapter
- About transcription
- Getting the parts ready
- Strategies: Preparing parts for score printout
- Staff settings
- The Main tab
- The Options tab
- The Polyphonic tab
- The Tablature tab
- Situations which require additional techniques
- Inserting display quantize changes
- Strategies: Adding display quantize changes
- The Explode function
- Using “Scores Notes To MIDI”
- Entering and editing notes
- About this chapter
- Score settings
- Note values and positions
- Adding and editing notes
- Selecting notes
- Moving notes
- Duplicating notes
- Cut, copy and paste
- Editing pitches of individual notes
- Changing the length of notes
- Splitting a note in two
- Working with the Display Quantize tool
- Split (piano) staves
- Strategies: Multiple staves
- Inserting and editing clefs, keys or time signatures
- Deleting notes
- Staff settings
- Polyphonic voicing
- About this chapter
- Background: Polyphonic voicing
- Setting up the voices
- Strategies: How many voices do I need?
- Entering notes into voices
- Checking which voice a note belongs to
- Moving notes between voices
- Handling rests
- Voices and display quantize
- Creating crossed voicings
- Automatic polyphonic voicing - Merge All Staves
- Converting voices to tracks - Extract Voices
- Additional note and rest formatting
- Working with symbols
- Working with chords
- Working with text
- Working with layouts
- Working with MusicXML
- Designing your score: additional techniques
- Scoring for drums
- Creating tablature
- The score and MIDI playback
- Printing and exporting pages
- Frequently asked questions
- Tips and Tricks
- Index
225
Audio processing and functions
Time Stretch
This function allows you to change the length and “tempo”
of the selected audio without affecting the pitch. The dia-
log contains the following parameters:
Define Bars section
In this section you set the length of the selected audio and
the time signature:
Original Length section
This section contains information and settings regarding
the audio selected for processing:
Resulting Length section
These settings are used if you want to stretch the audio to
fit within a specific time span or tempo. The values will
change automatically if you adjust the Time Stretch Ratio
(see below).
Seconds Range section
These settings allow you to set the desired range for the
time stretch.
Time Stretch Ratio section
The Time Stretch Ratio determines the amount of time
stretch as a percentage of the original length. If you use
the settings in the Resulting Length section to specify the
amount of time stretch, this value will change automati-
cally. The possible range depends on the “Effect” option:
• If the “Effect” checkbox is deactivated, the range is 75–
125%.
This is the preferred mode if you want to preserve the character of the
sound.
• If the “Effect” checkbox is activated, you can specify val-
ues between 10 and 1000% (Realtime), or 50 and 200%
(MPEX 3).
This mode is mainly useful for special effects, etc.
Parameter Description
Bars If you use the tempo setting (see below), you can specify
the length of the selected audio here, in bars.
Beats If you use the tempo setting, you can specify the length of
the selected audio here, in beats.
Sign. If you use the tempo setting, you can specify the time sig-
nature here.
Parameter Description
Length in
Samples
The length of the selected audio, in samples.
Length in
Seconds
The length of the selected audio, in seconds.
Tempo in BPM If you are processing music, and know the actual tempo
of the audio, you can enter it here as beats per minute.
This makes it possible to time-stretch the audio to an-
other tempo, without having to compute the actual time
stretch amount.
Parameter Description
Samples The desired length in samples.
Seconds The desired length in seconds.
BPM The desired tempo (beats per minute). For this to work,
you have to know the actual tempo of the audio, and
specify this (along with time signature and length in bars)
in the Original Length section to the left.
Parameter Description
Range Allows you to specify the desired length as a range be-
tween two time positions.
Use Locators Clicking the diamond-shaped button below the Range
fields sets the Range values to the left and right Locator
positions, respectively.