User manual
Table Of Contents
- Table of Contents
- Part I: Getting into the details
- About this manual
- VST Connections: Setting up input and output busses
- The Project window
- Playback and the Transport panel
- Recording
- Fades, crossfades and envelopes
- The Arranger track
- Folder tracks
- Using markers
- The Transpose functions
- The mixer
- Control Room (Cubase only)
- Audio effects
- VST Instruments and Instrument tracks
- Introduction
- VST Instrument channels vs. instrument tracks
- VST Instrument channels
- Instrument tracks
- Comparison
- Automation considerations
- What do I need? Instrument channel or Instrument track?
- Instrument Freeze
- VST instruments and processor load
- Using presets for VSTi configuration
- About latency
- External instruments (Cubase only)
- Surround sound (Cubase only)
- Audio processing and functions
- The Sample Editor
- The Audio Part Editor
- The Pool
- VST Sound
- The MediaBay
- Track Presets
- Track Quick Controls
- Automation
- MIDI realtime parameters and effects
- MIDI processing and quantizing
- The MIDI editors
- The Logical Editor, Transformer and Input Transformer
- The Project Logical Editor
- Working with System Exclusive messages
- Working with the Tempo track
- The Project Browser
- Export Audio Mixdown
- Synchronization
- Video
- ReWire
- File handling
- Customizing
- Key commands
- Part II: Score layout and printing
- How the Score Editor works
- The basics
- About this chapter
- Preparations
- Opening the Score Editor
- The project cursor
- Page Mode
- Changing the Zoom factor
- The active staff
- Making page setup settings
- Designing your work space
- About the Score Editor context menus
- About dialogs in the Score Editor
- Setting key, clef and time signature
- Transposing instruments
- Working order
- Force update
- Transcribing MIDI recordings
- About this chapter
- About transcription
- Getting the parts ready
- Strategies: Preparing parts for score printout
- Staff settings
- The Main tab
- The Options tab
- The Polyphonic tab
- The Tablature tab
- Situations which require additional techniques
- Inserting display quantize changes
- Strategies: Adding display quantize changes
- The Explode function
- Using “Scores Notes To MIDI”
- Entering and editing notes
- About this chapter
- Score settings
- Note values and positions
- Adding and editing notes
- Selecting notes
- Moving notes
- Duplicating notes
- Cut, copy and paste
- Editing pitches of individual notes
- Changing the length of notes
- Splitting a note in two
- Working with the Display Quantize tool
- Split (piano) staves
- Strategies: Multiple staves
- Inserting and editing clefs, keys or time signatures
- Deleting notes
- Staff settings
- Polyphonic voicing
- About this chapter
- Background: Polyphonic voicing
- Setting up the voices
- Strategies: How many voices do I need?
- Entering notes into voices
- Checking which voice a note belongs to
- Moving notes between voices
- Handling rests
- Voices and display quantize
- Creating crossed voicings
- Automatic polyphonic voicing - Merge All Staves
- Converting voices to tracks - Extract Voices
- Additional note and rest formatting
- Working with symbols
- Working with chords
- Working with text
- Working with layouts
- Working with MusicXML
- Designing your score: additional techniques
- Scoring for drums
- Creating tablature
- The score and MIDI playback
- Printing and exporting pages
- Frequently asked questions
- Tips and Tricks
- Index
161
Control Room (Cubase only)
5. Click OK and the level change will be performed.
It is possible to view these changes as they occur if you have the Project
Mixer open and the extended view set to show the Studio Sends.
Using Studio Sends from outputs
Each output also has Studio Sends. Studio Sends from
the Main Mix output can be used to route the main mix in-
stantly to the Studio output.
Any level changes made to the main mix will be reflected
in the signal sent by the Studio Send. Setting the level
lower than 0dB can leave headroom for “more me” signals
in the Studio channel output.
Post-Fader Studio Sends
It is also possible to use the Studio Sends as post-fader
aux sends. This is another way for the cue mix to follow
changes made to the Main Mix. The Reset function is very
helpful in this regard.
To reset the Studio Sends to the post-fader default level
of -6dB, proceed as follows:
1. Select all the channels you wish to reset.
Studio Send commands only work on selected channels.
2. In the Studio Channel mixer strip right-click to open
the context menu. In the Studio submenu, select the “Re-
set Studio Sends” command.
If you open the context menu in other areas of the Control Room Mixer
besides the Studio mixer strips, the context menu commands will affect
all Studios at the same time.
3. Selecting the “Reset Studio Sends” option changes
the Send level of all selected channels to -6dB and sets
the signal source to post-fader.
The -6dB level is designed to allow for headroom for “more me” signals
in the Studio outputs.
Once all Studio Sends have been set to -6dB, post-fader,
any changes to the main mix will also change the Studio
mix. For “more me” channels, simply turn up the level on
that channel or even set the signal to pre-fader for abso-
lute control.
Studio Send cue mix summary
Using various combinations of the above techniques
should allow you to create complex discrete cue mixes for
performers in very little time. Modifications to these mixes
can occur in the Project Mixer or the Inspector, giving you
the most accessibility for quick changes.
To familiarize yourself with how the Studio Sends work,
open the extended Project Mixer and set the view to the
Studio Sends. Follow the above examples and watch how
the Studio Sends react to various commands. This should
help you get a feel for how they function and increase the
workflow productivity of recording sessions.
Direct Monitoring and latency
The Control Room and Studio Sends functions use the in-
ternal processing power of the host computer system for
all routing and processing, which means they are subject
to the computer’s latency.
When recording with several performers at once, a system
capable of running at very low ASIO buffer settings will be
necessary to take full advantage of all the Studio Send
features.
Studio Sends are not capable of controlling the Direct
Monitoring features of various audio hardware interfaces.
This means that unless the internal latency of the system is
very low (128 samples or less), monitoring of record-en-
abled tracks through the Studio Sends will have some de-
lay that could affect performers during recording.
In the situation where internal latency is too much for
record monitoring, it is advisable to use the Studio Sends
for monitoring of tracks that have already been recorded
and use normal Direct Monitoring for tracks currently be-
ing recorded.
!
If you deactivate the “Relative Mode” option, all Stu-
dio Sends will be set to the same absolute level.
While the dialog window is still open, you may check
the “Relative Mode” box again and reload the previ-
ous relative levels. Only when you click OK, will the
level settings be made permanent. Choosing Cancel
returns all Send levels to their previous settings.