User manual
Table Of Contents
- Table of Contents
- Part I: Getting into the details
- About this manual
- VST Connections: Setting up input and output busses
- The Project window
- Playback and the Transport panel
- Recording
- Fades, crossfades and envelopes
- The Arranger track
- Folder tracks
- Using markers
- The Transpose functions
- The mixer
- Control Room (Cubase only)
- Audio effects
- VST Instruments and Instrument tracks
- Introduction
- VST Instrument channels vs. instrument tracks
- VST Instrument channels
- Instrument tracks
- Comparison
- Automation considerations
- What do I need? Instrument channel or Instrument track?
- Instrument Freeze
- VST instruments and processor load
- Using presets for VSTi configuration
- About latency
- External instruments (Cubase only)
- Surround sound (Cubase only)
- Audio processing and functions
- The Sample Editor
- The Audio Part Editor
- The Pool
- VST Sound
- The MediaBay
- Track Presets
- Track Quick Controls
- Automation
- MIDI realtime parameters and effects
- MIDI processing and quantizing
- The MIDI editors
- The Logical Editor, Transformer and Input Transformer
- The Project Logical Editor
- Working with System Exclusive messages
- Working with the Tempo track
- The Project Browser
- Export Audio Mixdown
- Synchronization
- Video
- ReWire
- File handling
- Customizing
- Key commands
- Part II: Score layout and printing
- How the Score Editor works
- The basics
- About this chapter
- Preparations
- Opening the Score Editor
- The project cursor
- Page Mode
- Changing the Zoom factor
- The active staff
- Making page setup settings
- Designing your work space
- About the Score Editor context menus
- About dialogs in the Score Editor
- Setting key, clef and time signature
- Transposing instruments
- Working order
- Force update
- Transcribing MIDI recordings
- About this chapter
- About transcription
- Getting the parts ready
- Strategies: Preparing parts for score printout
- Staff settings
- The Main tab
- The Options tab
- The Polyphonic tab
- The Tablature tab
- Situations which require additional techniques
- Inserting display quantize changes
- Strategies: Adding display quantize changes
- The Explode function
- Using “Scores Notes To MIDI”
- Entering and editing notes
- About this chapter
- Score settings
- Note values and positions
- Adding and editing notes
- Selecting notes
- Moving notes
- Duplicating notes
- Cut, copy and paste
- Editing pitches of individual notes
- Changing the length of notes
- Splitting a note in two
- Working with the Display Quantize tool
- Split (piano) staves
- Strategies: Multiple staves
- Inserting and editing clefs, keys or time signatures
- Deleting notes
- Staff settings
- Polyphonic voicing
- About this chapter
- Background: Polyphonic voicing
- Setting up the voices
- Strategies: How many voices do I need?
- Entering notes into voices
- Checking which voice a note belongs to
- Moving notes between voices
- Handling rests
- Voices and display quantize
- Creating crossed voicings
- Automatic polyphonic voicing - Merge All Staves
- Converting voices to tracks - Extract Voices
- Additional note and rest formatting
- Working with symbols
- Working with chords
- Working with text
- Working with layouts
- Working with MusicXML
- Designing your score: additional techniques
- Scoring for drums
- Creating tablature
- The score and MIDI playback
- Printing and exporting pages
- Frequently asked questions
- Tips and Tricks
- Index
160
Control Room (Cubase only)
2. In the Control Room Mixer, right-click anywhere in a
Studio Channel’s mixer strip and a context menu will ap-
pear that has the Studio’s name as a submenu.
This submenu contains all the Studio Send functions for that Studio. If
you open the context menu outside of a Studio mixer strip, the submenu
will be for All Studios.
The Control Room Mixer’s context menu
3. Choose the “Use Current Mix Levels” option to copy
the fader levels on the selected tracks to the Studio Sends.
This option sets all Studio Send levels for the selected tracks to the
same level as the main channel fader. It also changes the Studio Send
status to pre-fader so that changes in the main mix do not affect the Stu-
dio Sends.
4. Choose the “Use Current Pan Settings” option to
copy pan information from the main mix to the Studio
Sends on selected tracks.
Studio Sends are either mono or stereo. If the Send is mono, the pan
setting will still be copied. However, the output of the Studio Send will
sum the left and right channels together.
5. Choose the “Enable Studio Sends” option to activate
the Sends on selected channels.
By default, Studio Sends are not enabled even when level and pan infor-
mation is copied to them. You must enable them in order to hear the Stu-
dio cue mix.
By copying the level and pan information from the main
mix to the Studio Sends, a rough balance can be created
in a matter of moments. Next, you may alter the level and
pan settings on any channel’s Studio Sends to change the
mix to meet the performer’s needs. This may require in-
creasing the volume of the performer herself. This is often
referred to as a “more me” mix.
Adjusting the overall Studio Send level
Levels in the main mix are often optimized for the loudest
signal level possible without clipping. However, when you
are creating a “more me” mix, you may find that there is not
enough headroom available in the Studio Send to turn up
channels without clipping becoming a possibility.
Fortunately, the Studio Sends have an option to adjust
multiple send levels at the same time, allowing you to keep
the blend intact while lowering the overall volume to make
room for “more me” signals.
Once you have created a Studio Send mix, proceed as
follows to adjust their relative levels.
1. Select all the channels you wish to modify.
Only selected channels are affected by the context menu commands.
2. Right-click anywhere in the Studio mixer strip on the
Control Room Mixer to open the context menu for that
Studio.
You may also use the context menu outside of the Studio strip to adjust
all four Studio Sends on the selected channels at the same time.
3. Choose the “Change Studio Sends Level” option from
the Studio submenu.
This will bring up a gain window with a checkbox that reads “Relative
Mode”. Make sure this is activated if you want to adjust already existing
levels.
4. Either use the up and down buttons or click on the nu-
meric readout to open a pop-up fader and adjust the gain
as necessary.
The level of all selected Studio Sends will be adjusted by the amount
shown here. For example, if the amount reads -3dB, then each Studio
Send level is reduced by 3dB.