User manual
Table Of Contents
- Table of Contents
- Part I: Getting into the details
- About this manual
- VST Connections: Setting up input and output busses
- The Project window
- Playback and the Transport panel
- Recording
- Fades, crossfades and envelopes
- The Arranger track
- Folder tracks
- Using markers
- The Transpose functions
- The mixer
- Control Room (Cubase only)
- Audio effects
- VST Instruments and Instrument tracks
- Introduction
- VST Instrument channels vs. instrument tracks
- VST Instrument channels
- Instrument tracks
- Comparison
- Automation considerations
- What do I need? Instrument channel or Instrument track?
- Instrument Freeze
- VST instruments and processor load
- Using presets for VSTi configuration
- About latency
- External instruments (Cubase only)
- Surround sound (Cubase only)
- Audio processing and functions
- The Sample Editor
- The Audio Part Editor
- The Pool
- VST Sound
- The MediaBay
- Track Presets
- Track Quick Controls
- Automation
- MIDI realtime parameters and effects
- MIDI processing and quantizing
- The MIDI editors
- The Logical Editor, Transformer and Input Transformer
- The Project Logical Editor
- Working with System Exclusive messages
- Working with the Tempo track
- The Project Browser
- Export Audio Mixdown
- Synchronization
- Video
- ReWire
- File handling
- Customizing
- Key commands
- Part II: Score layout and printing
- How the Score Editor works
- The basics
- About this chapter
- Preparations
- Opening the Score Editor
- The project cursor
- Page Mode
- Changing the Zoom factor
- The active staff
- Making page setup settings
- Designing your work space
- About the Score Editor context menus
- About dialogs in the Score Editor
- Setting key, clef and time signature
- Transposing instruments
- Working order
- Force update
- Transcribing MIDI recordings
- About this chapter
- About transcription
- Getting the parts ready
- Strategies: Preparing parts for score printout
- Staff settings
- The Main tab
- The Options tab
- The Polyphonic tab
- The Tablature tab
- Situations which require additional techniques
- Inserting display quantize changes
- Strategies: Adding display quantize changes
- The Explode function
- Using “Scores Notes To MIDI”
- Entering and editing notes
- About this chapter
- Score settings
- Note values and positions
- Adding and editing notes
- Selecting notes
- Moving notes
- Duplicating notes
- Cut, copy and paste
- Editing pitches of individual notes
- Changing the length of notes
- Splitting a note in two
- Working with the Display Quantize tool
- Split (piano) staves
- Strategies: Multiple staves
- Inserting and editing clefs, keys or time signatures
- Deleting notes
- Staff settings
- Polyphonic voicing
- About this chapter
- Background: Polyphonic voicing
- Setting up the voices
- Strategies: How many voices do I need?
- Entering notes into voices
- Checking which voice a note belongs to
- Moving notes between voices
- Handling rests
- Voices and display quantize
- Creating crossed voicings
- Automatic polyphonic voicing - Merge All Staves
- Converting voices to tracks - Extract Voices
- Additional note and rest formatting
- Working with symbols
- Working with chords
- Working with text
- Working with layouts
- Working with MusicXML
- Designing your score: additional techniques
- Scoring for drums
- Creating tablature
- The score and MIDI playback
- Printing and exporting pages
- Frequently asked questions
- Tips and Tricks
- Index
137
The mixer
Copying settings between audio channels
It is possible to copy all channel settings for an audio chan-
nel and paste them to one or several other channels. This
applies to all audio-based channel types. For example, you
can copy EQ settings from an audio track and apply these
to a group or VST Instrument channel, if you want them to
have the same sound.
Proceed as follows:
1. In the mixer, select the channel you want to copy set-
tings from.
You can also select channels with the Channel Select pop-up menu –
see “Changing channels in the Channel Settings window” on page 133.
2. Click the “Copy First Selected Channel’s Settings”
button on the common panel.
3. Select the channel(s) you want to copy the settings to
and click the “Paste Settings to Selected Channels” but-
ton (below the “Copy First Selected Channel Settings”
button).
The settings are applied to the selected channel(s).
• You can copy channel settings between different types
of channels, but only those channels will be used for
which corresponding settings are available in the target
channel:
• For example, as input/output channels don’t have send ef-
fects, copying from them will leave the Sends settings in the
target channel unaffected.
• Also, in case of Surround Sound (Cubase only), for example,
any Insert effects routed to surround speaker channels will be
muted, when the settings are pasted to a mono or stereo
channel.
Initialize Channel and Reset Mixer
The Initialize Channel button can be found at the bottom in
the Control Strip section of the Channel Settings window
(if this section is not shown in the Channel Settings win-
dow, open the context menu and select “Control Strip” on
the Customize View submenu). Initialize Channel resets
the selected channel to the default settings.
Similarly, the mixer common panel holds a Reset Mixer/
Reset Channels button – when you click this, you will be
asked whether you want to reset all channels or just the
selected channels.
The default settings are:
• All EQ, Insert and Send effect settings are deactivated and re-
set.
• Solo/Mute is deactivated.
• The fader is set to 0dB.
• Pan is set to center position.
Changing the meter characteristics
In the Mixer context menu, opened by right-clicking any-
where on the mixer panel, there is a submenu named “Glo-
bal Meter Settings”. Here you can make settings for the
preferred meter characteristics, with the following options:
• If “Hold Peaks” is activated, the highest registered peak
levels are “held” and are shown as static horizontal lines in
the meter.
Note that you can turn this on or off by clicking in any audio level meter in
the mixer.
Hold is activated. The highest regis-
tered peak is displayed in the meter.