Quick Start
Table Of Contents
- English
- Table of Contents
- Introduction
- System requirements and installation
- Setting up your system
- Tutorial 1: Recording audio
- Tutorial 2: Editing audio
- Tutorial 3: Recording and editing MIDI
- Tutorial 4: Working with loops
- Tutorial 5: External MIDI instruments
- Tutorial 6: Mixing and effects
- Tutorial 7: Surround production (Cubase only)
- Tutorial 8: Editing audio II - tempo and groove
- Tutorial 9: Media management
- Index
- Deutsch
- Inhaltsverzeichnis
- Einleitung
- Systemanforderungen und Installation
- Einrichten des Systems
- Lehrgang 1: Aufnehmen von Audiomaterial
- Lehrgang 2: Bearbeiten von Audiomaterial
- Lehrgang 3: Aufnehmen und Bearbeiten von MIDI
- Lehrgang 4: Arbeiten mit Loops
- Lehrgang 5: Externe MIDI-Instrumente
- Lehrgang 6: Anwenden von Effekten und Erstellen eines Mixdowns
- Lehrgang 7: Surround-Sound (nur Cubase)
- Lehrgang 8: Bearbeiten von Audiomaterial II - Tempo und Groove
- Lehrgang 9: Medienverwaltung
- Stichwortverzeichnis
- Français
- Table des Matières
- Introduction
- Système requis et installation
- Configuration de votre système
- Didacticiel 1 : Enregistrement audio
- Didacticiel 2 : Édition Audio
- Didacticiel 3 : Enregistrement et édition MIDI
- Didacticiel 4 : Travailler avec des boucles
- Didacticiel 5 : Instruments MIDI Externes
- Didacticiel 6 : Mixage et Effets
- Didacticiel 7 : Production Surround (Cubase uniquement)
- Didacticiel 8 : Édition Audio II - Tempo et Groove
- Didacticiel 9 : Organisation des fichiers de media
- Index
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Tutorial 1: Recording audio
5. Make sure “Cycle” is activated, set the left locator to 2
and the right locator to 18.
This will loop or cycle between bars 2 and 18.
6. On the Transport panel, make sure “Mix (MIDI)” is se-
lected for the “Cycle Record Mode”.
This will allow us to record the electric guitar, and as each cycle repeats
a new take will be created. We will then choose the best take to keep as
our guitar line.
7. Activate the Record Enable and Monitor buttons on
the “Elec Guitar” track.
8. Click the “L” button on the Transport panel once.
This will make sure we start recording at the left locator.
9. Click the “Record” button on the Transport panel.
As you record the guitar, let the cycle repeat three times so we have
three different guitar takes.
10. Click “Stop” when you’re finished. We’ve just re-
corded three different guitar takes. Now let’s figure out
how to select the best sounding one.
Selecting different takes
1. Right-click on the new guitar audio event that we just
recorded and choose a take from the “Set to Region” sub-
menu.
Cubase has recorded all of the passes we made when we were record-
ing in loop mode (Cycle Recording). These passes are called “Takes”. In
our example we have three different guitar takes. We can pick between
them and choose which one sounds best.
2. Listen to the different takes and when you are done,
choose “Take 1”.
Stacked recording
Stacked recording is very similar to cycle recording but with
one difference – you can see the “Takes” that you record all
the time instead of them being hidden underneath.
1. Create a new “Mono” track.
2. Re-name the track “Guitar 2”.
3. On the Transport panel, select the Cycle Record
Mode “Stacked”.
The Cycle Record Mode pop-up menu.
4. Activate the Record Enable and Monitor buttons on
the track “Guitar 2”.
5. Click the Record button on the Transport panel.
!
Load the tutorial called “Cycle Recording 2” found in
the “Tutorial 1” folder.
Cycle Record Mode
Current take Available takes