User guide
 
 
 
   Thank you for purchasing the 
Soundblox Multiwave Distortion. The 
Multiwave Distortion produces some 
very unique distortion sounds and 
does not attempt to model or emulate 
any classic distortions. It offers some 
new and different distortions ranging 
from the more organic to synth-like 
and octave heavy sounds. Like the 
other Soundblox effects pedals, 
the Multiwave Distortion is also 
HOT 
HAND
®
 READY. 
    Enjoy!
  The Source Audio team
 
   Featuring 21 varieties of our distortion 
algorithm.
 
Signal is split into multiple bands 
and each is distorted individually for 
unprecedented sound clarity.
 
A thoughtfully designed box which 
features rugged construction and 
sleek looks.
 
Our proprietary 56-bit Digital Signal 
Processor, the 
SA601, and crystal 
clear 
24-bit converters.
 
All Soundblox pedals can be used with 
any Hot Hand motion sensor to extend 
the capabilities of the unit.
 
Bypass is fully routed around the DSP 
and active input ensures zero signal 
degradation.
  SA120
The Soundblox Multiwave Distor-
tion provides some unique distor-
tion sounds. In creating this effects 
pedal, we didn’t intend to duplicate, 
model, or emulate any existing types 
of distortion. The types of algorithms 
we use to create the distortion are 
quite different from the standard set, 
although with certain settings the 
result can sound similar.
One of the techniques used is to 
divide up the input guitar signal into 
multiple frequency bands. Each band 
is separately distorted, and then all 
are recombined. If chords are played, 
there can be a lot of clarity between 
the various notes. It’s possible to 
leave several notes droning, while a 
melody is played on top. A normal 
distortion tends to reduce such play-
ing to mush. Because of the multiple 
bands, it’s also possible to get several 
notes feeding back at the same time. 
The rst 14 settings (labeled 
MULTI 
BAND) on the EFFECT knob use band 
splitting while the last 7 (labeled 
SINGLE BAND) do not.
The shape of the distortion mapping 
curve is also different from standard 
distortions. Normally, as the input 
signal voltage rises, the output volt-
age also rises, but begins to level off 
and nally pins (or clips) at a maxi-
mum value. With a foldback curve, for 
large enough values of the input, the 
output will begin to decrease. With 
more extreme amounts of foldback, 
after decreasing for a while, the 
output can begin to increase again. 
Maximum foldback has many regions 
where the output alternates between 
increasing and decreasing. These 
kinds of curves add a lot of high fre-
quency content to the output. It also 
can provide a lot of control over the 
sound, based on the level of the input 
signal. With foldback, chords contain-
ing only octaves and fths tend to 
sound best. Other intervals can cause 
some strange, although not neces-
sarily undesirable sounds.
Using a special shape of the distor-
tion curve, strong second harmon-
ics can be created, sounding like a 
note an octave higher. Rolling off the 
guitar tone control will help maximize 
the octave impression. Complex 
chords don’t typically work well for 
octave settings. The result is very 
sensitive to the input signal level 
(as long as the 
SUSTAIN and DRIVE 
controls are not set too high) and can 
give a sort of auto-wah effect.
A conventional distortion effect tends 
to turn the guitar signal into square 
waves. Playing harder only makes 
the transition from negative clipping 
to positive clipping a little bit steeper. 
With our foldback and octave algo-
rithms, a slightly higher input can 
have a radical effect on the shape of 
the output signal.
© SOURCE AUDIO LLC 120 CUMMINGS PARK, WOBURN, MA 01801  SOURCEAUDIO.NET
While the primary function of the 
Multiwave Distortion is as a stand-
alone effects pedal you also have the 
option of exploring some additional 
functions by plugging in a Hot Hand 
sensor. When a sensor is plugged in 
the amount of 
DRIVE is controlled by 
the Hot Hand sensor. The maximum 
amount of drive you can get by mov-
ing the sensor is determined by the 
position of the 
DRIVE knob. 
Hot Hand Basics
The Hot Hand motion sensors are 
sold separately and come in either 
wired or wireless versions. Both will 
work with the Multiwave Distortion. 
Additionally, the 
SENSOR IN jack will 
be compatible with any future Source 
Audio sensors.
The Hot Hand ring contains an accel-
erometer that responds to accelera-
tion and is not based on any type of 
proximity to the guitar. By moving 
your hand or by changing the position 
of your hand you can modulate the 
effect. For a good description of Hot 
Hand Theory, download the Hot Hand 
Motion Controlled Wah Filters manu-
al. It is available at www.sourceaudio.
net. Keep in mind that the Multiwave 
Distortion can only use the x-axis of 
the ring sensor. Please note that for 
the Multiwave Distortion, the typical 
Hot Hand control parameters can 
NOT be adjusted.
Calibration
The Multiwave Distortion has a 
calibration feature which is only 
used in Hot Hand mode. However, 
calibration is not required before use. 
The calibration feature allows you to 
set the maximum point of the 
DRIVE 
sweep for any position of your hand. 
Depending on your playing style, you 
may nd it useful to try some differ-
ent calibration positions. The most 
common use is setting the calibration 
with the sensor pointing up to make 
raising your hand the maximum 
end of the 
DRIVE sweep. Calibration 
can also be useful if you are putting 
the sensor on a headband or other 
alternate locations.
To perform a calibration
• Turn the EFFECT knob to the 
CALIBRATE position.
• Hold the sensor in the desired 
position.
• While holding the sensor steady, 
press the 
ON/OFF footswitch and 
wait for 1 second.
• Turn the EFFECT knob away from 
calibrate to use your new calibra-
tion setting. Note: Calibration 
settings will be saved between 
power cycles. 
• If you have trouble with calibra-
tion and need to get back to the 
default setting, run the calibration 
procedure with your hand raised up 
at a 45 degree angle.
Source Audio, LLC (hereinafter “Source 
Audio”) warrants that your new Source Audio 
Soundblox Effects Pedal, when purchased 
at an authorized Source Audio dealer in the 
United States of America (“USA”), shall be 
free from defects in materials and workman-
ship under normal use for a period of one 
(1) year from the date of purchase by the 
original purchaser. This Limited Warranty 
does not extend to the batteries which are 
purchased as is. Please contact your dealer 
for information on warranty and service 
outside of the USA.
Under this Limited Warranty, Source Audio’s 
sole obligation and the purchaser’s sole rem-
edy shall be repair, replacement, or upgrade, 
at Source Audio’s sole discretion, of any 
product that, if properly used and maintained, 
proves to be defective upon inspection by 
Source Audio. Source Audio reserves the right 
to update any unit returned for repair and to 
change or to improve the design of the prod-
uct at any time without notice. Source Audio 
reserves the right to use reconditioned parts 
and assemblies as warranty replacements for 
authorized repairs. Any product repaired, re-
placed, or upgraded pursuant to this Limited 
Warranty will be warranted for the remainder 
of the original warranty period.
This Limited Warranty is extended to the origi-
nal retail purchaser. This Limited Warranty 
can be transferred to anyone who may subse-
quently purchase this product provided that 
such transfer is made within the applicable 
warranty period and Source Audio is provided 
with all of the following information: (i) all 
warranty registration information (as set forth 
on the registration card) for the new owner, 
(ii) proof of the transfer, within thirty (30) days 
of the transfer, and (iii) a photocopy of the 
original sales receipt. Warranty coverage shall 
be determined by Source Audio in its sole 
discretion. This is your sole warranty. Source 
Audio does not authorize any third party, 
including any dealer or sales representative, 
to assume any liability on behalf of Source 
Audio or to make any warranty on behalf of 
Source Audio.
WARRANTY INFORMATION
Source Audio may, at its option, require proof 
of the original purchase date in the form of 
a dated copy of original authorized dealer’s 
invoice or sales receipt. Service and repairs 
of Source Audio products are to be performed 
only at the Source Audio factory or a Source 
Audio authorized service center. Prior to ser-
vice or repair under this Limited Warranty, the 
purchaser must request from Source Audio a 
return authorization, which is available at: 
Source Audio LLC 
120 Cummings Park, Woburn, MA 01801 
(781) 932-8080 or at www.sourceaudio.net. 
Unauthorized service, repair, or modication 
will void this Limited Warranty.
DISCLAIMER AND LIMITATION OF WARRANTY
DO NOT OPEN THE EFFECTS PEDAL UNDER ANY 
CIRCUMSTANCE. THIS WILL VOID THE WARRANTY.
THE FOREGOING LIMITED WARRANTY IS THE ONLY 
WARRANTY GIVEN BY SOURCE AUDIO AND IS IN 
LIEU OF ALL OTHER WARRANTIES. ALL IMPLIED 
WARRANTIES, INCLUDING WARRANTIES OF MER-
CHANTABILITY AND FITNESS FOR ANY PARTICULAR 
PURPOSE, EXCEEDING THE SPECIFIC PROVISIONS OF 
THIS LIMITED WARRANTY ARE HEREBY DISCLAIMED 
AND EXCLUDED FROM THIS LIMITED WARRANTY. 
UPON EXPIRATION OF THE APPLICABLE EXPRESS 
WARRANTY PERIOD, SOURCE AUDIO SHALL HAVE 
NO FURTHER WARRANTY OBLIGATION OF ANY KIND, 
EXPRESS OR IMPLIED. SOURCE AUDIO SHALL IN NO 
EVENT BE LIABLE FOR ANY SPECIAL, INCIDENTAL OR 
CONSEQUENTIAL DAMAGES SUFFERED BY THE PUR-
CHASER OR ANY THIRD PARTY, INCLUDING WITHOUT 
LIMITATION, DAMAGES FOR LOSS OF PROFITS OR 
BUSINESS OR DAMAGES RESULTING FROM USE OR 
PERFORMANCE OF THE PRODUCT, WHETHER IN 
CONTRACT OR IN TORT. SOURCE AUDIO SHALL NOT 
BE LIABLE FOR ANY EXPENSES, CLAIMS OR SUITS 
ARISING OUT OF OR RELATING TO ANY OF THE FORE-
GOING. Some states do not allow the exclusion 
or limitation of implied warranties so some 
of the above limitations and exclusions may 
not apply to you. This Limited Warranty gives 
you specic legal rights, and you may also 
have other rights, which vary, from state to 
state. This Limited Warranty only applies to 
products sold and used in the USA. Source 
Audio shall not be liable for damages or loss 
resulting from the negligent or intentional 
acts of the shipper or its contracted afliates. 
You should contact the shipper for proper 
claims procedures in the event of damage or 
loss resulting from shipment.


