Source Audio
133 
july 2016  Guitarist
source audio
S
ource Audio’s One Series includes 
three dirt pedals, but here we’re 
looking at the four modulation 
options: the Vertigo Tremolo, Lunar Phaser, 
Gemini Chorus and Mercury Flanger. If you 
merely glanced at their top panels, you’d 
think that these were just fairly standard 
stompboxes with four knobs and a toggle 
switch for selecting three sound variations. 
You can, of course, use them just like that if 
you like to keep things simple, but if you’re 
keen to explore, each of these pedals has a 
lot more going on.
The key to unlocking the potential in 
these ’boxes is Source Audio’s Neuro app 
(available for both iOS and Android). Once 
loaded into your phone or device, you can 
connect the supplied mini-to-standard 
jack cable to a pedal’s Input 2 socket and 
access an editing page that offers a bunch 
of editing parameters and control options 
beyond the four physical knobs. For 
example, parametric EQ and a low-cut filter 
are covered here, and you can also access 
more algorithms than the three defaults 
initially called up by that toggle switch.
Neuro also has access to loads of edited 
effects that can be browsed and tried out 
– and maybe transferred to the editor and 
loaded into the pedal. There are factory 
presets, presets from other users and 
storage for your own customised effects, 
which can be shared with other users if 
you wish. While the tremolo has its own 
algorithms, the architecture of the phaser, 
chorus and flanger allows all three to share 
the same effects, making each of them very 
versatile. You could, for example, load any 
one of the pedals so the toggle switch could 
call up a chorus, a flanger and a phaser 
effect. We have to say that the prospect of a 
CE-2, Electric Mistress and Phase 90 in one 
compact pedal does appeal.
Each pedal can also save a single preset 
onboard for instant access to a sound, 
regardless of the physical knob positions. 
Once you’ve dialled up a sound that you 
like, you can simply press and hold the 
footswitch to save it. Switching the pedal 
between normal operation and Preset 
mode is easily carried out. Each pedal can 
operate in a standard mono signal chain, but 
also has true stereo operation and various 
mono/stereo combinations. If you fancy 
a bit of live parameter manipulation, each 
pedal has a mini-jack control input to take 
an expression pedal, Source Audio’s Hot 
Hand (a motion sensing controller) or a tap-
tempo switch. A USB port lets each pedal 
connect as a plug-and-play device to a DAW, 
allowing synchronisation via MIDI clock. 
If you want to build a complete system 
utilising the pedals, then you can purchase 
the Neuro Hub (for around £80), which 
can connect up to five Source Audio pedals. 
A scene-saving facility allows you to create 
up to 128 multi-pedal presets complete 
with external expression control. These 
presets can be recalled using an external 
MIDI foot controller. 
With our introduction complete, let’s take 
a closer look at the pedals over the page…
SOURCE AUDIO
one series pedals 
£129 each
These compact plug-in-and-play stompboxes get a boost in 
feature sets and flexibility with Source Audio’s Neuro app
Words  Trevor Curwen  Photography  Adam Gasson
GIT408.peds_source.indd 133 12/05/2016 14:33



