User Manual
Table Of Contents
- Welcome
- Table of Contents
- Feature Overview
- Connecting the Pedal
- Connections
- Controls
- Controls (Bass)
- Theory of Operation
- Distortion Types
- Stereo Operation & Signal Routing
- Preset Storage and Recall
- External Control
- Expression Control
- Neuro Desktop and Mobile Editors
- The Neuro Desktop Editor
- Sound Editor
- Master Controls
- Morphing Controls
- Compressor Module
- Distortion Module
- Multi-band Tremolo
- LFO Module
- Graphic Equalizer Module
- Single Tremolo/Envelope & Noise Gate/Input Filter Modules
- Envelope Generator, Balance, and Knob Assignment Modules
- The Neuro Mobile App — with New Direct MIDI-USB Support
- Neuro Hub
- MIDI
- USB
- Specifications
- Troubleshooting
- Frequently Asked Questions
- What kind of instruments can I connect to the Ultrawave’s inputs?
- Can I power the Ultrawave directly over USB, without using the 9 Volt supply?
- When connecting the Ultrawave to a recording interface or mixer, should I use a Lo-Z (microphone) or Hi-Z (line / instrument) input?
- Why doesn’t the Ultrawave respond to MIDI messages being sent to it?
- Can I use the Ultrawave in my amp’s effects loop?
- How do I update the firmware?
- Rubber Feet
- Waste Disposal Notes
- Warranty
- Version History
Table of Contents Ultrawave Multiband Processor User Guide
10
Controls (Bass)
Note: The four top-level knob controls (Drive, Level, Mix, and Treble) can be reassigned in the Neuro
Mobile App and Neuro Desktop Editor from a list of many possible parameters.
The only main difference in Controls on the Ultrawave Bass is that a MIX knob replaces the SUSTAIN
knob on the guitar version. The MIX control is a dry to wet crossfade control. Fully clockwise on the
knob is full “wet”, meaning no clean signal is present, only signal distorted or manipulated by the
Ultrawave will be heard. At noon, there is a 50/50 clean mix, and at fully counterclockwise, the
signal is fully clean (no distortion).
* * *
Theory of Operation
A graphic or parametric EQ is a simple and common form of multiband processor. In that case, the
signal is split into separate frequency bands, levels in each band are set, and then the signal is
recombined. By controlling the levels in each band, a wide variety of tones can be created. The
Ultrawave takes this basic concept of multiband processing to a much higher level in the following
ways:
• applying varying levels and types of distortion.
• applying optional tremolo and phase offsets to each band.
• applying compression before or after the multiband processing.