User Manual
Table Of Contents
- Welcome
- Overview
- Quick Start
- Connections
- Reverb Engines
- Extended Reverb Engines
- Controls
- Preset Storage and Recall
- Recalling Presets
- Recalling MIDI Presets
- Editing and Saving a Single Engine Preset to Reverb A
- Editing and Saving a Dual Engine Preset to Reverb A+B
- Copying a Preset to a New Location Using the Select/(Hold) Save Button
- Copying a Preset to a New Location Using an External MIDI Controller
- Copying a Preset to a New Location Using the Neuro App
- Clearing all Presets
- Universal Bypass
- Stereo Operation & Signal Routing
- Mono In, Mono Out (1)
- Toggle = A Toggle = B
- Toggle = A+B, Dual Parallel
- Toggle = A+B, Dual Cascade
- Stereo In, Mono Out (2)
- Toggle = A Toggle = B
- Toggle = A+B, Dual Parallel
- Toggle = A+B, Dual Cascade
- Mono In, Stereo Out (3)
- Toggle = A Toggle = B
- Toggle = A+B, Dual Parallel
- Stereo In, Dependent Stereo Out (4)
- Toggle Switch = Reverb A Toggle Switch = Reverb B
- Toggle = Reverb A+B, Dual Cascade
- Mono In, Mono Out, Dry Out 2 (5)
- Toggle Switch = Reverb A Toggle Switch = Reverb B
- Toggle = Reverb A+B, Dual Cascade
- Stereo In, Wet Sum to Mono (6)
- Toggle Switch = Reverb A Toggle Switch = Reverb B
- Toggle = Reverb A+B, Dual Cascade
- Dual Mono, (Independent Stereo) (7)
- Toggle Switch = Reverb A Toggle Switch = Reverb B
- Mono In, Independent Stereo Out (8)
- Toggle Switch = Reverb A Toggle Switch = Reverb B
- Pre Processing External Loop (9)
- Toggle Switch = Reverb A Toggle Switch = Reverb B
- Toggle = Reverb A+B, Dual Cascade
- External Loop Cable Connection Instructions
- External Control
- Neuro Desktop and Mobile Editors
- The Neuro Desktop Editor
- Downloading and Connecting the Neuro Desktop Editor
- Neuro Desktop Editor User Interface
- Connections
- Hardware Options
- Sound Editor
- Dual/Single Mode
- I/O Routing Option
- Reverb Engine A Controls
- Option Footswitch Assign
- Tapping or holding the Ventris Dual Reverb’s OPTION footswitch accesses specific default functions, depending on the selected reverb engine (see the Reverb Engines section for the default functions of each engine). In addition, it is possible to reass...
- Reverb Engine B Controls
- Dual Mode Controls
- Spillover Controls
- On/Off Status (MIDI Recall)
- External Control
- Presets
- The Neuro Mobile App
- Neuro Hub
- MIDI
- USB
- Specifications
- Troubleshooting
- Frequently Asked Questions
- How can I access the extended reverb engines without the app?
- What kind of instruments can I connect to the Ventris’s inputs?
- Can I power the Ventris directly over USB, without using the 9 Volt supply?
- When connecting the Ventris to a recording interface or mixer, should I used a Lo-Z (microphone) or Hi-Z (line / instrument) input?
- Why doesn’t the Ventris respond to MIDI messages being sent to it?
- Can I use the Ventris in my amp’s effects loop?
- How do I update the firmware?
- Rubber Feet
- Waste Disposal Notes
- Warranty
- Version History
SA262 Ventris Dual Reverb Owner’s Manual
11
the switch a minimum of two times for the Ventris to change its modulation rate.
OPTION FOOTSWITCH (PRESS & HOLD): Reverb Hold – Sustains the reverb trail until the OPTION
footswitch is released. This is a great way to sustain a chord and create a “pad,” as it is called in
certain circles. While engaging the HOLD function, it is still possible to play on top of the
sustained reverb trail with the reverb from the second processor (A or B) applied to the dry
signal. Check the Neuro Sound Editor section for alternative HOLD configurations.
HALL (1)
Patterned after the lush sounds of studio rack units from the 80s, the Hall L engine is distinguished by
its highly diffuse tones and glorious blooming characteristic. The Source Audio engineering time
invested massive research time in perfectly capturing the complex sounds of these powerful effects
units. It should be noted that though we place this grand effect engine among the classic reverbs, it
has little resemblance to reverberations found in the natural or analog world, rather the Hall L
replicates the extravagant wash of sound popular during the first wave of ambient music recordings.
CONTROL 1: Bass – See the description in the ROOM engine section.
CONTROL 2: Hall Size – Select between 5 different hall sizes. Turn the knob counter-clockwise
for smaller, tighter hall sounds and clockwise to grander reverberations. Please note that this
knob does not gradually increase the size of the hall, rather the knob is split into five regions. As
you turn the knob you may hear the transition points where a new hall size is engaged.
OPTION FOOTSWITCH (TAPPING): Set Pre-Delay Time – Works like a traditional tap tempo
switch on a delay pedal. Pre-Delay Time is the amount of time between the dry signal and the
first wave of reverb reflections (sort of like moving the time of an echo). So tapping the OPTION
footswitch in time with the band syncs the echo effect to the beat of the music. Note: you must
tap the switch a minimum of two times for the pedal to change the Pre-Delay Time.
OPTION FOOTSWITCH (PRESS & HOLD): Reverb Hold – See the description in the ROOM engine
section.
E-DOME (2)
The cavernous E-DOME (a.k.a. “Enormo-Dome”) produces long, lush reverb trails that linger for days.
Invoke the sound of massive, arena settings with the Ventris Reverb’s largest room simulation. This
one is huuuuge.