User Manual
Table Of Contents
- Welcome
- Overview
- Quick Start
- Connections
- Delay Engines
- Extended Delay Engines
- Controls
- Preset Storage and Recall
- Universal Bypass
- Stereo Operation
- External Control
- Neuro App
- Neuro Hub
- MIDI
- USB
- Specifications
- Troubleshooting
- Frequently Asked Questions
- What kind of instruments can I connect to the Nemesis’s inputs?
- Can I power the Nemesis directly over USB, without using the 9 Volt supply?
- When connecting the Nemesis to a recording interface or mixer, should I used a Lo-Z (microphone) or Hi-Z (line / instrument) input?
- Why doesn’t the Nemesis respond to MIDI messages being sent to it?
- Can I use the Nemesis in my amp’s effects loop?
- MIDI Implementation
- Rubber Feet
- Waste Disposal Notes
- Warranty
- Version History
SA260 Nemesis Delay User’s Guide 14
SLAPBACK (11)
A short echo popularized in 50s rockabilly music and characteristic of many other genres. Based on
tape delays, with some minor tweaks.
Time Knob Range: 20 milliseconds to 220 milliseconds
Mod and Rate: MOD controls wow and flutter depth and RATE controls tape speed.
Intensity: Lower settings bring in tape saturation and warmth. Higher settings are bright and
clean.
Extended Delay Engines
In addition to the basic 12 delay engines available on the front panel, the Nemesis also features 12
extended delay engines for a total of 24 engines in all. These additional “back 12” effect engines offer
a variety of tonal options and can be selected using the Neuro App or via MIDI. Any of these effects
can be used to overwrite the default effect engines on the effect dial or can be stored as user presets.
RESONANT ANALOG (12)
The sound of classic bucket brigade analog delays with a resonant midrange. Successive delays are
warm and lo-fidelity. This engine was inspired by the MXR Carbon Copy and the Way Huge Aqua-Puss,
coming together to produce a hybrid bucket brigade sound that captures the essence of these classic
delay units.
Time Knob Range: 10 milliseconds to 1.2 seconds
Mod and Rate: Control time (pitch) modulation depth and speed.
Intensity: Changes the character of the delay. Lower settings create darker, dirtier lo-fi analog
sounds. The center settings are more balanced and resonant. The higher settings are brighter
and clearer.
TREMOLO (13)
The delayed signals pass through stereo tremolo processors which modulate their volume over time.
Bright, Clean
Saturated, Warm
Dark
Resonant
Bright