User Manual
Table Of Contents
- Welcome
- Overview
- Quick Start
- Connections
- Delay Engines
- Extended Delay Engines
- Controls
- Preset Storage and Recall
- Universal Bypass
- Stereo Operation
- External Control
- Neuro App
- Neuro Hub
- MIDI
- USB
- Specifications
- Troubleshooting
- Frequently Asked Questions
- What kind of instruments can I connect to the Nemesis’s inputs?
- Can I power the Nemesis directly over USB, without using the 9 Volt supply?
- When connecting the Nemesis to a recording interface or mixer, should I used a Lo-Z (microphone) or Hi-Z (line / instrument) input?
- Why doesn’t the Nemesis respond to MIDI messages being sent to it?
- Can I use the Nemesis in my amp’s effects loop?
- MIDI Implementation
- Rubber Feet
- Waste Disposal Notes
- Warranty
- Version History
SA260 Nemesis Delay User’s Guide 13
SWEEPER (9)
A resonant low pass filter slowly sweeps across the frequency range, creating an undulating synth-
like effect.
Time Knob Range: 1 millisecond to 2.6 seconds
Mod: Controls the depth of the LFO (Low Frequency Oscillator) modulating the low pass filter. In
other words, this controls the range of the filter motion.
Rate: Sets the speed of the LFO modulating the low pass filter.
Intensity: Controls the Q or resonance of the filter.
RHYTHMIC (10)
The Nemesis contains 5 delay taps which have programmable delay time and level. This allows for
the creation of rhythmic patterns in the delay effect. The Rhythmic effect uses 3 taps to create a
wide variety of 3-note rhythms (plus a note on the downbeat of the next measure). More complex
rhythms involving 4 notes are available in the Complex Rhythmic engine.
Time Knob Range: 200 milliseconds to 2.6 seconds
Mod and Rate: Control time (pitch) modulation depth and speed.
Intensity: Selects one of 8 pre-programmed rhythms. The rhythms are spaced equally around
the INTENSITY KNOB. The rhythms are described below in step sequencer notation, with red
squares signifying taps in the rhythm.
Rhythms 1 through 4 are straight rhythms based on subdivisions of 4.
Rhythm 5 is a syncopated rhythm based on subdivisions of 8.
Rhythms 6 through 8 are swing rhythms based on subdivisions of 6.
Soft, Low Resonance
Sharp, High Resonance
1
2
3
4
5
6
7
8