User Manual
Table Of Contents
- Welcome
- Contents
- Feature Overview
- Connecting the Pedal
- Connections
- Basic Operation
- The Options Menu
- Navigating the Options Menu
- Controls
- Common EQ Configurations
- Stereo Operation & Signal Routing
- Preset Storage and Recall
- Additional Features
- External Control
- Expression Control
- Neuro Desktop and Mobile Editors
- The Neuro Desktop Editor
- The Neuro Mobile App — with New Direct MIDI-USB Support
- Neuro Hub
- MIDI
- USB
- Specifications
- Troubleshooting
- Frequently Asked Questions
- What kind of instruments can I connect to the EQ2’s inputs?
- Can I power the EQ2 directly over USB, without using the 9 Volt supply?
- When connecting the EQ2 to a recording interface or mixer, should I use a Lo-Z (microphone) or Hi-Z (line / instrument) input?
- Why doesn’t the EQ2 respond to MIDI messages being sent to it?
- Can I use the EQ2 in my amp’s effects loop?
- How do I update the firmware?
- Rubber Feet
- Waste Disposal Notes
- Warranty
- Version History
SA270 EQ2 User Guide
14
Drastic Mid Scoop
You might have heard the term “mid-scooped” to describe modern metal guitar tones. Since the
guitar is already a midrange instrument, cutting those frequencies while boosting the high and low
frequencies can give it a big, thick tone. Take in small doses; not enough mid frequencies can make a
guitar get “lost” in the mix since its prominent frequencies have been cut.
Subtle Mid Scoop
Many amplifiers and overdrive pedals have a very pronounced midrange. Mildly cutting the mid
frequencies can dial out some of that “honk” from classic mids-y amplifiers, giving you a full-
sounding tone without disappearing from a live mix.
Mild Bass Boost, Treble Roll-Off
A curve similar to this one can help to tame a brightly voiced amplifier or pickup. Notice how this
configuration doesn’t look too dramatic—sometimes when EQ’ing, less is more!