User Manual

Owner’s Manual

(PEd), where the extremes of the footpedal position have bpm values bP.h and bP.L; or the clock can

be sycn’d (Syn) to external

MIDI

clock.

The tempo is in beats per minute, bpm. The sub-parameters bPM, bP.h and bP.L have a range

between 10 and 999. To achieve slower and faster tempos, the div sub-parameter multiplies the

value of the tempo set by the tyP clock source. As an example, if filter 1 tyP is tPo, bPM is 120bpm

and div is 2, and filter 2 tyP is -F1 and div is

, then filter 1 has tempo of 240bpm and filter 2 has

tempo equal to

of 120,

i.e.,

60bpm.

If filter 2 is sync’d to filter 1 (tyP is -F1), then the PhA parameter is used to control the phase offset

between the filters. PhA set to 0 means that the filters are in-phase; PhA set to 32 means that the

filters are out-of-phase, and settings in-between give degrees of out-of-phaseness. The figure below

shows a sinusoid and two examples of different values of the phase offset, PhA.

Envelope mode

In envelope tracking mode, the following sub-parameters are used:

Envelope

sub-

parameter

Range Description

SEn 0–999 Sensitivity: how sensitively the filter follows the envelope.

Pun oFF, 1–200 Punch: boosts sensitivity when a new note is detected.

Att 0–200 Attack: how quickly the filter follows an increase in signal.

dEC 0–200 Decay: how quickly the filter follows a decrease in signal.

StE oFF, 1–31

Steps: quantises the envelope. Rather than a smooth

sweep, the filter moves in steps to create a more rhythmic

sound.

Filter 1, sinusoid

Filter 2, pha = 16

Filter 2, pha = 32