Manual

the tracks that are being silenced. If you do this and
solo a single track, the master bus will keep open
and you will hear the soloed track play.
Play it safe by setting all your buses, auxes, groups and
the master track in Solo Safe.
e same logic applies to all buses/subgroups. So if
you for example have routed all the drum tracks to
a single stereo drum bus, and you have a Console1
plug-in on that bus, make sure to set this in 
 mode too. If you then for example solo the
snare drum channel, it will play through the drum
bus, and then through the master bus, and both of
these will be left open if set to  . If either
of those are not set to  , they would be
silenced when you soloed the snare track, and you
would get no sound at all.
It may also be a good idea to   a Con-
sole1 instance on an eects send channel, where
you for example have a reverb or delay active. is
way, setting a single track to  will not silence
the reverb. If the track you have soloed has an active
asend to the reverb (set up in your DAW), and you
have set the reverb’s eects send channel to 
, you will hear both the dry signal and the
reverb’s response to that signal. If you have not set
the reverb’s eects send channel to  , you
will only hear the dry signal from the soloed track
and no reverb.
Solo Safe can of course also be used for single
tracks that you want to be heard at all times, for
example a metronome track.