Manual

CONSOLE 1 USER’S GUIDE | 31
LOW TYPE
BELL
HIGH TYPE
CUT
LOW MID Q
1.9
HIGH MID Q
1.8
LOW MID FREQ
0.41 kHz
HIGH MID FREQ
3.6 kHz
LOW MID GAIN
-14 dB
HIGH MID GAIN
14.6 dB
HIGH FREQUENCY
16.0 kHz
HIGH GAIN
0.0 dB
LOW FREQ
200 Hz
LOW GAIN
15.8 dB
20
15
-15
-6
0
6
50 100 200 500 1k 2k 5k 10k 20k
Equalizer
LOW TYPE
BELL
HIGH TYPE
CUT
LOW MID Q
1.9
HIGH MID Q
1.8
LOW MID FREQ
0.41 kHz
HIGH MID FREQ
3.6 kHz
LOW MID GAIN
-14 dB
HIGH MID GAIN
14.6 dB
HIGH FREQUENCY
16.0 kHz
HIGH GAIN
0.0 dB
LOW FREQ
200 Hz
LOW GAIN
15.8 dB
20
15
-15
-6
0
6
50 100 200 500 1k 2k 5k 10k 20k
Equalizer
LOW TYPE
BELL
HIGH TYPE
CUT
LOW MID Q
1.9
HIGH MID Q
1.8
LOW MID FREQ
0.41 kHz
HIGH MID FREQ
3.6 kHz
LOW MID GAIN
-14 dB
HIGH MID GAIN
14.6 dB
HIGH FREQUENCY
16.0 kHz
HIGH GAIN
0.0 dB
LOW FREQ
200 Hz
LOW GAIN
15.8 dB
20
15
-15
-6
0
6
50 100 200 500 1k 2k 5k 10k 20k
Equalizer
A high shelving lter.
A  curve means the EQ boosts or cuts the set
center frequency and a range of frequencies above
and below that, diminishing in strength the further
from the center frequency it gets.
LOW TYPE
BELL
HIGH TYPE
CUT
LOW MID Q
1.9
HIGH MID Q
1.8
LOW MID FREQ
0.41 kHz
HIGH MID FREQ
3.6 kHz
LOW MID GAIN
-14 dB
HIGH MID GAIN
14.6 dB
HIGH FREQUENCY
16.0 kHz
HIGH GAIN
0.0 dB
LOW FREQ
200 Hz
LOW GAIN
15.8 dB
20
15
-15
-6
0
6
50 100 200 500 1k 2k 5k 10k 20k
Equalizer
LOW TYPE
BELL
HIGH TYPE
CUT
LOW MID Q
1.9
HIGH MID Q
1.8
LOW MID FREQ
0.41 kHz
HIGH MID FREQ
3.6 kHz
LOW MID GAIN
-14 dB
HIGH MID GAIN
14.6 dB
HIGH FREQUENCY
16.0 kHz
HIGH GAIN
0.0 dB
LOW FREQ
200 Hz
LOW GAIN
15.8 dB
20
15
-15
-6
0
6
50 100 200 500 1k 2k 5k 10k 20k
Equalizer
LOW TYPE
BELL
HIGH TYPE
CUT
LOW MID Q
1.9
HIGH MID Q
1.8
LOW MID FREQ
0.41 kHz
HIGH MID FREQ
3.6 kHz
LOW MID GAIN
-14 dB
HIGH MID GAIN
14.6 dB
HIGH FREQUENCY
16.0 kHz
HIGH GAIN
0.0 dB
LOW FREQ
200 Hz
LOW GAIN
15.8 dB
20
15
-15
-6
0
6
50 100 200 500 1k 2k 5k 10k 20k
Equalizer
A broad high boost bell curve.
 means that the High and Low lters can dou-
ble as high and low cut lters, just as the ones in the
Input section. So these will be taking away anything
below (in the case of Low lter) and above (in the
case of the High lter) the cuto frequency.
LOW TYPE
BELL
HIGH TYPE
CUT
LOW MID Q
1.9
HIGH MID Q
1.8
LOW MID FREQ
0.41 kHz
HIGH MID FREQ
3.6 kHz
LOW MID GAIN
-14 dB
HIGH MID GAIN
14.6 dB
HIGH FREQUENCY
16.0 kHz
HIGH GAIN
0.0 dB
LOW FREQ
200 Hz
LOW GAIN
15.8 dB
20
15
-15
-6
0
6
50 100 200 500 1k 2k 5k 10k 20k
Equalizer
LOW TYPE
BELL
HIGH TYPE
CUT
LOW MID Q
1.9
HIGH MID Q
1.8
LOW MID FREQ
0.41 kHz
HIGH MID FREQ
3.6 kHz
LOW MID GAIN
-14 dB
HIGH MID GAIN
14.6 dB
HIGH FREQUENCY
16.0 kHz
HIGH GAIN
0.0 dB
LOW FREQ
200 Hz
LOW GAIN
15.8 dB
20
15
-15
-6
0
6
50 100 200 500 1k 2k 5k 10k 20k
Equalizer
LOW TYPE
BELL
HIGH TYPE
CUT
LOW MID Q
1.9
HIGH MID Q
1.8
LOW MID FREQ
0.41 kHz
HIGH MID FREQ
3.6 kHz
LOW MID GAIN
-14 dB
HIGH MID GAIN
14.6 dB
HIGH FREQUENCY
16.0 kHz
HIGH GAIN
0.0 dB
LOW FREQ
200 Hz
LOW GAIN
15.8 dB
20
15
-15
-6
0
6
50 100 200 500 1k 2k 5k 10k 20k
Equalizer
The high band set to “cut”.
is is useful if you have chosen to use the High
and Low Cut lters of Console1’s input section for
the compressor’s side chain but still want high and
low cutting on the signal itself.
Please note that the graphical curve displays the actual
equalizer response, calculated o the modeled analog
circuitry. This curve may dier from the markings on the
equalizer parameter functions, which is quite common for
real world analog equalizers. The markings may not tell
you the truth about what you really do when you twist
the knobs, but Console1’s equalizer curve does!