Manual
Table Of Contents
- SD MEMORY CARD
- TO CHARGE THE BATTERY
- LOADING THE BATTERY
- SELECTING THE EXPOSURE MODE
- P PROGRAM AE
- A APERTURE PRIORITY AE
- S SHUTTER SPEED PRIORITY AE
- M MANUAL EXPOSURE
- FOCUS MODE
- HOW TO USE AUTOFOCUS
- SETTING THE FOCUS FRAME
- FOCUS LOCK
- AF+MF MODE
- AF LIMIT MODE
- FACE DETECTION AF MODE
- SPEED PRIORITY AF
- MANUAL FOCUS
- SINGLE FRAME SHOOTING
- CONTINUOUS SHOOTING
- SELF TIMER
- INTERVAL TIMER
- USING THE EXTERNAL FLASH
- SETTING THE FLASH MODE
- FLASH EXPOSURE COMPENSATION
- VIEWING ONE IMAGE AT A TIME
- MAGNIFYING IMAGES (ZOOMED-IN VIEW)
- VIEWING NINE IMAGES AT A TIME (CONTACT SHEET VIEW)
- HISTOGRAM
- DELETE A FILE WITH THE DELETE BUTTON
- DELETE FILES FROM THE DELETE MENU
61
SETTING THE WHITE BALANCE (WB)
The color of light reflected by an object can vary depending on the color of
the light source illuminating it.
For example, a neutral colored object will reflect reddish light under
incandescent lighting, and greenish light under fluorescent lighting. The
human brain is able to compensate for differences in the color of a light
source, allowing us to see white objects as white, independent of the
lighting condition. Film cameras rely on special color-correcting filters and
film types to adjust for these differences in lighting. Digital cameras,
however, are able to use software to mimic the adjustments made by the
brain, so that colors that appear white to the human eye also appear white
in your photographs.