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SIGMA CINE LENS

High Speed Zoom Line 18-35mm T2 50-100mm T2

Focal Length 18-35mm 50-100mm

Aperture T2.0 to T16 T2.0 to T16

Number of Diaphragm Blades 9 (Rounded diaphragm) 9 (Rounded diaphragm)

Close Focus

0.28 m / 11" 0.95 m / 3'2"

Image Coverage S35 Digital ø28.4 S35 Digital ø28.4

Front diameter 95mm 95mm

Filter Size 82mm 82mm

Length

PL mount TBD TBD

EF mount

129.5mm 175.2mm

E-mount

155.5mm 201.2mm

Weight

PL mount TBD TBD

EF mount 1445g 1885g

E-mount 1505g 1945g

S35

76.1° - 43.8° 31.5° - 16.0°

APS-C

76.5° - 44.2° 31.7° - 16.1°

UPC cord

EF mount 0085126 210663 0085126 693664

E-mount 0085126 210670 0085126 693671

Announcement of SIGMA CINE LENSES

In the world of digital lm production, there is an increasing demand for higher resolution, and SIGMA’s new line-

up of high-performance lenses is compatible with the latest, high-resolution digital cinema cameras. SIGMA has

developed its own production system by establishing the required technology for mass production of high-perfor-

mance lenses for ultra-mega-pixel shooting.

The company feels this valuable new lens line could create a fundamental change in digital lm production, and

provide a new solution to cinematographers.

- Unbeatable value – the highest optical performance in its class and outstanding compact design

- Wide range of lenses for professional use

- Optimized for the latest digital movie making technology

High Speed Zoom Line

High Speed Zoom Line offers the constant aperture of T2 throughout the zoom range, and the optical performance is

ready for high resolution shooting such as 6K - 8K. Furthermore, while offering the highest image quality in its class,

the High Speed Zoom Line has a compact construction and offers amazing value.

FF Zoom Line

FF Zoom Line is compatible with a full frame image circle, and the optical performance is ready for high resolution

shooting such as 6K - 8K. It provides a rare option for cinematographers since very few lenses can cater to the re-

quirements of the latest digital cinema cameras' image sensor, which is larger than Super 35, and expand the range

of compatible cameras. This is the cinema zoom lens offering the highest image quality and compact design.

*This lens is not available in PL mount.

FF High Speed Prime Line 20mm T1.5 FF 24mm T1.5 FF 35mm T1.5 FF 50mm T1.5 FF 85mm T1.5 FF

Focal Length 20mm 24mm 35mm 50mm 85mm

Aperture T1.5 to T16 T1.5 to T16 T1.5 to T16 T1.5 to T16 T1.5 to T16

Number of Diaphragm Blades 9 (Rounded diaphragm) 9 (Rounded diaphragm) 9 (Rounded diaphragm) 9 (Rounded diaphragm) 9 (Rounded diaphragm)

Close Focus

0.276m / 11" 0.25 m / 10" 0.30 m / 1' 0.40 m/ 1'4" 0.85 m / 2'10"

Image Coverage FF ø43.3 FF ø43.3 FF ø43.3 FFø43.3 FF ø43.3

Front diameter 95mm 95mm 95mm 95mm 95mm

Filter Size - 82mm 82mm 82mm 86mm

Length

PL mount TBD TBD TBD TBD TBD

EF mount

118mm 95mm 95mm 102mm 134.5mm

E-mount

144mm 121mm 121mm 128mm 160.5mm

Weight

PL mount TBD TBD TBD TBD TBD

EF mount 1335g 1125g 1135g 1295g 1475g

E-mount 1395g 1185g 1165g 1355g 1535g

94.5° 84.1° 63.4° 46.8° 28.6°

S35

70.3° 60.8° 43.8° 31.5° 18.8°

APS-C

70.8° 61.2° 44.2° 31.7° 18.9°

FF High Speed Prime Line

The lineup ranges from 20mm to 85mm, and all ve lenses are T1.5. They are compatible with full frame sensors and,

while being more compact, can offer superior resolution than other high-end prime sets do. With the ve prime lenses

from FF High Speed Prime Line, there is no need to change the lighting to shoot a variety of cuts, and it is possible to

meet the demands that professional movie creation requires.

1 Close focus distance is measured from the image plane　2 Front to EF mount flange　3 Front to E-mount flange　4 Without lens support foot　5 Horizontal angle of view for a super 35 digital cinema camera aperture

(aspect ratio 1:1.8, dimensions 24.6 mm x 13.8 mm / 0.97“x 0.54“)　6 Horizontal angle of view for an APS-C camera aperture (aspect ratio 1:1.5, dimensions 23.7 mm x 15.7 mm / 0.93“x 0.62“)　The specifications are

subject to change without notice.

1 Close focus distance is measured from the image plane　2 Front to EF mount flange　3 Front to E-mount flange　4 Without lens support foot　5 Horizontal angle of view for a full-frame camera aperture (aspect ratio

1:1.5, dimensions 36 mm x 24 mm / 1.42“x 0.94“)　6 Horizontal angle of view for a super 35 digital cinema camera aperture (aspect ratio 1:1.8, dimensions 24.6 mm x 13.8 mm / 0.97“x 0.54“)　7 Horizontal angle of view

for an APS-C camera aperture (aspect ratio 1:1.5, dimensions 23.7 mm x 15.7 mm / 0.93“x 0.62“)　The specifications are subject to change without notice.

FF Zoom Line 24-35mm T2.2 FF

Focal Length 24-35mm

Aperture T2.2 to T 16

Number of Diaphragm Blades 9 (Rounded diaphragm)

Close Focus

0.28 m / 11"

Image Coverage FF ø43.3

Front diameter 95mm

Filter Size 82mm

Length

EF mount

122.7mm

E-mount

148.7mm

Weight

EF mount 1440g

E-mount 1500g

84.1°- 63.4 °

S35

60.8° - 43.8°

APS-C

61.2° - 44.2°

for an APS-C camera aperture (aspect ratio 1:1.5, dimensions 23.7 mm x 15.7 mm / 0.93“x 0.62“)　The specifications are subject to change without notice.