Specifications

10
Tips on Using Shotgun Mics: Shotgun mics can be positioned either
slightly above, below, or to the side of the sound source, so that the mic
does not appear in the camera frame. Try to avoid aiming the mic at a hard
surface, such as a tile floor, brick wall, or hard ceiling. These surfaces reflect
sound waves, and may reflect background noise into the microphone or
cause the sound to be slightly hollow. A heavy blanket can be placed on a
reflective surface to provide some temporary sound absorption. Shotgun
mics are more sensitive to wind noise than standard microphones, so try to
avoid moving the mic rapidly and use a foam windscreen if possible. Larger
“zeppelin” or “blimp” type windscreens are usually necessary outdoors.
Also, it’s a good idea to use a rubber-isolated shock mount to control
handling noise that may be transmitted through a stand or boom.
DIRECTIONALITY
Directionality is one of the most frequently misunderstood characteristics
of a microphone. Simply put, directionality describes how a microphone
responds to sounds arriving from different directions or angles. Some
microphones pick up sounds equally well from all angles, while others favor
sounds from a particular direction. Understanding the significance of a
microphone’s directionality is vital to getting the most from its capabilities in
any given miking situation.
The most common way of illustrating a microphone’s directionality is with
a polar pattern. This is a circular graph which illustrates the relative sound
pickup from different directions. Although many different polar patterns are
possible, the most common ones fall into two general categories:
omnidirectional and unidirectional.
Omnidirectional — An omnidirectional
microphone picks up sound
equally from all directions (the prefix “omni” means “all”). An omni mic will
pick up sound from above, below, in front of, behind, and to the side of the
mic in a 360 degree sphere. The polar pattern for an omni, then, is roughly
Polar pattern diagrams
CARDIOID (UNIDIRECTIONAL) MICROPHONE OMNIDIRECTIONAL MICROPHONE