Specifications

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Condenser microphones offer several benefits. The most important of
these is that they can be made very small, which is why all miniature lavalier
microphones are condenser types. Condensers tend to be very sensitive to
the extreme low and high frequencies, and usually have a very crisp, clean
sound. Their built-in preamplifiers allow condenser mics to provide higher
output than dynamic mics, meaning that for a given sound level, a stronger
electrical signal comes out. This may be helpful when you are trying to pick
up someone who speaks very softly, or who is further away.
You’ll encounter one inconvenience in using condenser mics, however, in
that the preamplifier requires electricity to work. On some microphones, this
can come from a battery carried inside the handle of the mic or in the
preamplifier pack. Power can also be supplied from the mixer or other
equipment that the mic is plugged into, if it is so equipped. This is called
phantom power, and will be discussed later.
ELECTRICAL IMPEDANCE
Impedance is an electrical characteristic of audio equipment, just like
voltage or current. It is expressed in ohms, the symbol for which is .
Microphones are typically classified as being low-impedance
(also called
low-Z) or high-impedance
(also called high-Z). For professional
applications, only low-impedance microphones should be used. High-
impedance microphones usually begin to sound muffled due to a loss of
high frequencies when used with a cable longer than 20 feet. One of the
advantages of low-impedance microphones is that they allow you to use
very long runs of cable (over 1000 feet) with negligible loss of sound quality.
It’s usually not difficult to tell if the microphone you’re using is high-imped-
ance or low-impedance; just look at the nameplate or specification sheet.
The words “high-Z”, “high impedance”, or a rating of 10,000 ohms or higher
all indicate a high-impedance microphone. “Low-Z”, “low impedance”, or a
rating of 600 ohms or less indicate that the mic is low-impedance. High-
impedance microphones can only be connected to high-impedance audio
inputs. Use of a matching transformer
(which will be discussed later) can
facilitate connection of high-impedance mics to low-impedance inputs, or
low-impedance mics to high-impedance equipment.
It is important to note that the impedance of a microphone should not
match the impedance of the input to which it is connected. In fact, matching
the impedance causes a significant loss of signal level. The tradition of
matching impedances originates in the early days of electronics, when
amplifiers were based on vacuum tubes. With modern transistorized
electronics, low impedance devices (such as microphones) should always
be connected to an input whose impedance is higher — preferably 5 to 10
times higher. For this reason, the inputs on professional mixers typically
have an impedance of 1000 ohms or higher.