User manual
Table Of Contents
- Welcome Back, Old Friend
- Chapter 1: Getting Started
- Rear Panel Connections
- Setting Up the Prophet-5
- Exploring the Prophet-5
- Chapter 2: Prophet-5 Controls
- Global Settings
- Oscillators
- Mixer
- Filter
- Filter Envelope
- Amplifier Envelope
- Low Frequency Oscillator
- Wheel-Mod Controls
- Poly Mod
- Using the Vintage Knob
- Pitch and Mod Wheels
- Adding Aftertouch
- Glide Rate
- Unison
- Master Tune
- The Release Switch
- The Tune Button
- Key Priority Modes
- Chapter 3: Creating Sounds
- Synth Bass
- Creating Synth Brass
- Creating a Hard-Sync Lead
- Chapter 4: Using CVs and Gates
- Appendix A: Troubleshooting and Support
- Appendix B: Calibrating the Prophet-5
- Appendix C: Exporting and Importing Programs/Banks
- Appendix D: Alternative Tunings
- 1. 12-Tone Equal Temperament (non-erasable)
- 2. Harmonic Series
- 3. Carlos Harmonic Twelve Tone
- 4. Meantone Temperament
- 5. 1/4 Tone Equal Temperament
- 6. 19 Tone Equal Temperament
- 7. 31 Tone Equal Temperament
- 8. Pythagorean C
- 9. Just Intonation in A with 7-Limit Tritone at D#
- 10. 3-5 Lattice in A
- 11. 3-7 Lattice in A
- 12. Other Music 7-Limit Black Keys in C
- 13. Dan Schmidt Pelog/Slendro
- 14. Yamaha Just Major C
- 15. Yamaha Just Minor C
- 16. Harry Partch 11-Limit 43 Note Just Intonation
- 1. 12-Tone Equal Temperament (non-erasable)
- Bookmark 1
- Bookmark 1
51
Prophet-10 User’s Guide
Creating a Hard-Sync Lead
Turning Synth Brass into a String Pad
It’s a simple matter to turn the previous synth brass sound into a string
pad by simply adjusting its envelope and lter settings.
To turn the synth brass into a string pad:
1. Remove the “pitch blip” by turning off freq a in the Poly Mod section.
2. Use the keyboard switch to set keyboard lter tracking to half.
3. In the filter section, set the cutoff to 7 and resonance to 2.
4. In the filter envelope section, set the env amount to 0.
5. Set Filter Envelope attack to 5, decay to 6, sustain to 7, and release to
7.
6. Set Amplier Envelope attack to 5, decay to 5, sustain to 10, and
release to 6.
7. Use the the fine control in Oscillator B to adjust the amount of detun-
ing/chorusing.
8. Play some chords. You’ve now got a good basic string pad.
Creating a Hard-Sync Lead
Here’s another classic sound: a hard-sync lead. A famous example of this
is “Let’s Go” by the Cars, performed on a Prophet-5. In this example
you’ll learn how to hard-sync the oscillators, and pitch-modulate one of
them with Poly Mod.
To create a hard-sync lead:
1. Recall the basic preset by holding down record and pressing preset.
Oscillator A is set to sawtooth by default.
2. On Oscillator A, enable the sync button. (See page 20 for an expla-
nation of hard sync.)
3. Set Oscillator A frequency to 4. This will allow for a wide range of
pitch modulation in step.
4. In the poly mod section, enable freq a. This selects Oscillator A as the
destination.