User manual
Table Of Contents
- Welcome Back, Old Friend
- Chapter 1: Getting Started
- Rear Panel Connections
- Setting Up the Prophet-5
- Exploring the Prophet-5
- Chapter 2: Prophet-5 Controls
- Global Settings
- Oscillators
- Mixer
- Filter
- Filter Envelope
- Amplifier Envelope
- Low Frequency Oscillator
- Wheel-Mod Controls
- Poly Mod
- Using the Vintage Knob
- Pitch and Mod Wheels
- Adding Aftertouch
- Glide Rate
- Unison
- Master Tune
- The Release Switch
- The Tune Button
- Key Priority Modes
- Chapter 3: Creating Sounds
- Synth Bass
- Creating Synth Brass
- Creating a Hard-Sync Lead
- Chapter 4: Using CVs and Gates
- Appendix A: Troubleshooting and Support
- Appendix B: Calibrating the Prophet-5
- Appendix C: Exporting and Importing Programs/Banks
- Appendix D: Alternative Tunings
- 1. 12-Tone Equal Temperament (non-erasable)
- 2. Harmonic Series
- 3. Carlos Harmonic Twelve Tone
- 4. Meantone Temperament
- 5. 1/4 Tone Equal Temperament
- 6. 19 Tone Equal Temperament
- 7. 31 Tone Equal Temperament
- 8. Pythagorean C
- 9. Just Intonation in A with 7-Limit Tritone at D#
- 10. 3-5 Lattice in A
- 11. 3-7 Lattice in A
- 12. Other Music 7-Limit Black Keys in C
- 13. Dan Schmidt Pelog/Slendro
- 14. Yamaha Just Major C
- 15. Yamaha Just Minor C
- 16. Harry Partch 11-Limit 43 Note Just Intonation
- 1. 12-Tone Equal Temperament (non-erasable)
- Bookmark 1
- Bookmark 1
46
Chapter 3: Creating Sounds
Sequential
Chapter 3: Creating Sounds
The Prophet-10 can produce a broad spectrum of sounds. Though the
factory programs give you some idea of its scope, if you just play its presets,
you’re not using the Prophet-10 to its full potential. The real fun is in creat-
ing sounds of your own.
This chapter provides some short sound programming tutorials. Though
there isn’t enough space here to cover how to use every Prophet-10 function,
the examples will help you get familiar with some basic concepts.
Synth Bass
A synth bass is one of the easiest and most useful sounds you can make
on a synth. Many great synth bass sounds consist of a single oscillator, a
bit of lter resonance, the proper envelope, and that’s it. So start with the
Basic Program and go from there.
Short Version
To create a classic synth bass:
1. Recall the basic preset by holding down record and pressing preset.
2. Set lter cutoff to 3.
3. Set lter resonance to 3.
4. In the envelopes section, set the Filter Envelope’s decay to 6.
5. In the envelopes section, set the Filter Envelope’s sustain to 2.
6. In the envelopes section, set the Filter Envelope’s env amount to 10.
7. Play some low notes on the keyboard. Instant synth bass!
8. Experiment with the Filter Envelope’s env amount and decay settings.
9. Experiment with the Filter’s resonance settings.