User manual
Table Of Contents
- Welcome Back, Old Friend
- Chapter 1: Getting Started
- Rear Panel Connections
- Setting Up the Prophet-5
- Exploring the Prophet-5
- Chapter 2: Prophet-5 Controls
- Global Settings
- Oscillators
- Mixer
- Filter
- Filter Envelope
- Amplifier Envelope
- Low Frequency Oscillator
- Wheel-Mod Controls
- Poly Mod
- Using the Vintage Knob
- Pitch and Mod Wheels
- Adding Aftertouch
- Glide Rate
- Unison
- Master Tune
- The Release Switch
- The Tune Button
- Key Priority Modes
- Chapter 3: Creating Sounds
- Synth Bass
- Creating Synth Brass
- Creating a Hard-Sync Lead
- Chapter 4: Using CVs and Gates
- Appendix A: Troubleshooting and Support
- Appendix B: Calibrating the Prophet-5
- Appendix C: Exporting and Importing Programs/Banks
- Appendix D: Alternative Tunings
- 1. 12-Tone Equal Temperament (non-erasable)
- 2. Harmonic Series
- 3. Carlos Harmonic Twelve Tone
- 4. Meantone Temperament
- 5. 1/4 Tone Equal Temperament
- 6. 19 Tone Equal Temperament
- 7. 31 Tone Equal Temperament
- 8. Pythagorean C
- 9. Just Intonation in A with 7-Limit Tritone at D#
- 10. 3-5 Lattice in A
- 11. 3-7 Lattice in A
- 12. Other Music 7-Limit Black Keys in C
- 13. Dan Schmidt Pelog/Slendro
- 14. Yamaha Just Major C
- 15. Yamaha Just Minor C
- 16. Harry Partch 11-Limit 43 Note Just Intonation
- 1. 12-Tone Equal Temperament (non-erasable)
- Bookmark 1
- Bookmark 1
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Prophet-10 User’s Guide
Unison
If you want to create an ultra heavy synth bass, try using Unison!
By default, the Prophet-10 has last-note priority, meaning that when you play
more keys on the keyboard than are available as voices, the last notes played take
priority and will “steal” previous notes/voices. When using Unison mode, you can
change this to other key priority modes. See “Note Priority Modes” on page 45.
Using Chord Memory
Unison has another useful feature: chord memory. Instead of assigning
voices to a single note, hold down a chord on the keyboard and press the
unison switch. The Prophet-10 memorizes the notes of the chord. Single
notes played on the keyboard will then trigger all notes of the stored
chord, transposing them as you play up or down the keyboard. Try using
this feature to create powerful chord stabs.
If you save a program that uses chord memory, the chord is saved with
the program. “CHO” will then appear as a choice if you step through
voice stacking options using the group select and bank select buttons
while holding down unison.
To use chord memory:
1. Hold down a chord on the keyboard.
2. Press the unison switch. The chord voicing is memorized. Play a few
notes to listen to the result.
3. If you save the program, the unison chord memory is saved with it.
To clear chord memory:
1. Turn off Unison.
2. Hold down a single note.
3. Press the unison button.
4. Save the program again.
Alternatively, with the unison switch held down, use the group select
(decrement) and bank select (increment) switches to choose a specic
number of voices to stack (instead of “CHD” ).