User manual
Table Of Contents
- Welcome Back, Old Friend
- Chapter 1: Getting Started
- Rear Panel Connections
- Setting Up the Prophet-5
- Exploring the Prophet-5
- Chapter 2: Prophet-5 Controls
- Global Settings
- Oscillators
- Mixer
- Filter
- Filter Envelope
- Amplifier Envelope
- Low Frequency Oscillator
- Wheel-Mod Controls
- Poly Mod
- Using the Vintage Knob
- Pitch and Mod Wheels
- Adding Aftertouch
- Glide Rate
- Unison
- Master Tune
- The Release Switch
- The Tune Button
- Key Priority Modes
- Chapter 3: Creating Sounds
- Synth Bass
- Creating Synth Brass
- Creating a Hard-Sync Lead
- Chapter 4: Using CVs and Gates
- Appendix A: Troubleshooting and Support
- Appendix B: Calibrating the Prophet-5
- Appendix C: Exporting and Importing Programs/Banks
- Appendix D: Alternative Tunings
- 1. 12-Tone Equal Temperament (non-erasable)
- 2. Harmonic Series
- 3. Carlos Harmonic Twelve Tone
- 4. Meantone Temperament
- 5. 1/4 Tone Equal Temperament
- 6. 19 Tone Equal Temperament
- 7. 31 Tone Equal Temperament
- 8. Pythagorean C
- 9. Just Intonation in A with 7-Limit Tritone at D#
- 10. 3-5 Lattice in A
- 11. 3-7 Lattice in A
- 12. Other Music 7-Limit Black Keys in C
- 13. Dan Schmidt Pelog/Slendro
- 14. Yamaha Just Major C
- 15. Yamaha Just Minor C
- 16. Harry Partch 11-Limit 43 Note Just Intonation
- 1. 12-Tone Equal Temperament (non-erasable)
- Bookmark 1
- Bookmark 1
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Prophet-10 User’s Guide
Filter Envelope
Filter Envelope
The Prophet-10 lter has a dedicated, 4-stage envelope generator
(attack, decay, sustain, release). The Filter Envelope is used to shape the
harmonic characteristics of a synthesized sound by giving you ltering
control with these stages.
This is one of the most important aspects of a synthesized sound. With-
out an envelope, the lter would be static and unchanging. It would stay
open or closed by a xed amount that wouldn’t change over the duration
of a sound. That’s not very expressive or interesting to listen to and it’s
not how most real-world instruments behave.
In general, sounds produced by an acoustic instrument are brighter at
their beginning (the attack stage) and grow mellower as they die out
(the decay and release stages). In other words, their harmonic content
changes over time. This is exactly what the lter envelope is designed to
emulate.
The REV Switch Changes Filter Envelope Shape
The rev switch not only changes lter type, but also the Filter Enve-
lope’s shape/response to match the original Prophet Rev 1/2 or Rev 3
respectively.
The Rev 1/Rev 2 Prophet 5 used SSM envelope generators, and the basic
shape was very at, almost linear. The Rev 3 Prophet-5 used a Curtis
envelope generator, and it had more of a curve than the SSM parts, so it
had a slightly different sound. When you change the lter type with the
rev switch, it also changes the Filter Envelope shape to match the SSM
or Curtis parts, making the Prophet-10 sound authentic in both cases.
Filter Envelope controls