User manual
Table Of Contents
- Welcome Back, Old Friend
- Chapter 1: Getting Started
- Rear Panel Connections
- Setting Up the Prophet-5
- Exploring the Prophet-5
- Chapter 2: Prophet-5 Controls
- Global Settings
- Oscillators
- Mixer
- Filter
- Filter Envelope
- Amplifier Envelope
- Low Frequency Oscillator
- Wheel-Mod Controls
- Poly Mod
- Using the Vintage Knob
- Pitch and Mod Wheels
- Adding Aftertouch
- Glide Rate
- Unison
- Master Tune
- The Release Switch
- The Tune Button
- Key Priority Modes
- Chapter 3: Creating Sounds
- Synth Bass
- Creating Synth Brass
- Creating a Hard-Sync Lead
- Chapter 4: Using CVs and Gates
- Appendix A: Troubleshooting and Support
- Appendix B: Calibrating the Prophet-5
- Appendix C: Exporting and Importing Programs/Banks
- Appendix D: Alternative Tunings
- 1. 12-Tone Equal Temperament (non-erasable)
- 2. Harmonic Series
- 3. Carlos Harmonic Twelve Tone
- 4. Meantone Temperament
- 5. 1/4 Tone Equal Temperament
- 6. 19 Tone Equal Temperament
- 7. 31 Tone Equal Temperament
- 8. Pythagorean C
- 9. Just Intonation in A with 7-Limit Tritone at D#
- 10. 3-5 Lattice in A
- 11. 3-7 Lattice in A
- 12. Other Music 7-Limit Black Keys in C
- 13. Dan Schmidt Pelog/Slendro
- 14. Yamaha Just Major C
- 15. Yamaha Just Minor C
- 16. Harry Partch 11-Limit 43 Note Just Intonation
- 1. 12-Tone Equal Temperament (non-erasable)
- Bookmark 1
- Bookmark 1
20
Oscillators
Sequential
To listen to Oscillator B:
1. Turn down the level of Oscillator A in the Mixer and turn up the level
of Oscillator B.
2. Turn on the triangle wave and listen to its sound. It has a very mellow
sound because it has very few harmonics, unlike the sawtooth and
square waves.
3. Turn on the sawtooth wave and the square wave and notice how the
sound changes.
4. Turn up Oscillator A again in the mixer. Notice how the sound becomes
fuller now that you can hear both oscillators.
5. Experiment with using the fine knob on the Oscillator B to detune the
oscillators in relation to each other. This creates movement and thick-
ness in their combined sound.
6. Try using the frequency knob of Oscillator B to tune Oscillator B to a
interval such as a third, a fth, or a sixth.
To sync Oscillator A to Oscillator B:
• With Oscillator A and B on, press the sync button on Oscillator A, and
rotate its frequency knob while you hold a note.
This is the classic hard sync sound that you’ve probably heard before.
Instead of rotating the pitch knob by hand, you can use Poly Mod to
route the lter envelope to Oscillator A to sweep its pitch and create this
effect each time you play a note. You’ll learn more about Poly Mod on
page 34.