User Manual
Table Of Contents
- Thank You
 - Getting Started
 - Connections
 - Global Settings
 - Oscillators
 - Character
 - Filter 1 & 2
 - Filter Envelopes 1 & 2
 - Amplifier Envelope
 - Auxiliary Envelopes 4 & 5
 - Low Frequency Oscillators
 - Modulation
 - Arpeggiator
 - Sequencer
 - Master Volume/Voice Volume
 - Distortion
 - Glide
 - Pitch and Modulation Wheels
 - Touch Sliders
 - Play List
 - Misc Parameters
 - Using USB
 - A Few Tutorials
 - Appendix A: Modulation Sources
 - Appendix B: Modulation Destinations
 - Appendix C: Delay Times (Delays 1-3)
 - Appendix D: MIDI Implementation
 - Appendix E: Support
 - Bookmark 1
 - _GoBack
 - Bookmark 1
 - MIDI_Implementation
 - _Ref259391539
 - _GoBack
 - MIDI_messages
 - _Ref47692693
 - _Ref47691913
 - _Ref47691938
 - _Ref47692569
 - _Ref47692613
 - _Ref47692643
 
Thank You
No doubt about it: It’s an exciting time to be a synth geek. You only have to 
look around you to realize that we’re experiencing a renaissance of sorts for 
synthesizers. From stompboxes to modulars, synths are here in a very big way.
With the current demand for all things analog, I’ve been asked many times if I would 
ever consider reissuing the Pro-One monosynth. My response has always been the 
same: “You’ve got to keep moving forward.” The simple truth is, I’m happiest 
creating new instruments—synths that put more power and better sounds into the 
hands of musicians with every iteration. 
But actions speak louder than words, so here’s the last one on that particular 
subject: the Pro 2. It’s light years beyond the Pro-One in every way and is the 
culmination of my many years designing synthesizers. It’s also the deepest and 
most powerful monosynth I’ve ever created, so it should keep you busy exploring 
the outer limits of sound for quite some time. 
I really hope you enjoy playing it as much as we enjoyed designing it.
Thanks for the purchase, from all of us here at DSI!
Cheers,










