User Manual
Table Of Contents
- Thank You
- Getting Started
- Connections
- Global Settings
- Oscillators
- Character
- Filter 1 & 2
- Filter Envelopes 1 & 2
- Amplifier Envelope
- Auxiliary Envelopes 4 & 5
- Low Frequency Oscillators
- Modulation
- Arpeggiator
- Sequencer
- Master Volume/Voice Volume
- Distortion
- Glide
- Pitch and Modulation Wheels
- Touch Sliders
- Play List
- Misc Parameters
- Using USB
- A Few Tutorials
- Appendix A: Modulation Sources
- Appendix B: Modulation Destinations
- Appendix C: Delay Times (Delays 1-3)
- Appendix D: MIDI Implementation
- Appendix E: Support
- Bookmark 1
- _GoBack
- Bookmark 1
- MIDI_Implementation
- _Ref259391539
- _GoBack
- MIDI_messages
- _Ref47692693
- _Ref47691913
- _Ref47691938
- _Ref47692569
- _Ref47692613
- _Ref47692643
22 Oscillators
Dave Smith Instruments
The indicated order of modulation is really just a handy shortcut. In fact, you
can route any oscillator to another using the modulation matrix. See Modulation on
page 44 for more information.
Amplitude Modulation (AM): 0…127—(In the osc mods tab in the
OLED display) As with FM, AM uses the oscillators as carrier/modula-
tor pairs. But with AM, the modulator modulates the carrier’s amplitude,
not its frequency. As with FM, any oscillator routing combination can be
congured using the modulation matrix.
Slop: 0…127—Adds random detuning to the oscillator to emulate the
tuning instability of voltage controlled analog oscillators, from subtle,
barely perceptible amounts to wildly out of tune.