User Manual
Table Of Contents
- Thank You
- Getting Started
- Connections
- Global Settings
- Oscillators
- Character
- Filter 1 & 2
- Filter Envelopes 1 & 2
- Amplifier Envelope
- Auxiliary Envelopes 4 & 5
- Low Frequency Oscillators
- Modulation
- Arpeggiator
- Sequencer
- Master Volume/Voice Volume
- Distortion
- Glide
- Pitch and Modulation Wheels
- Touch Sliders
- Play List
- Misc Parameters
- Using USB
- A Few Tutorials
- Appendix A: Modulation Sources
- Appendix B: Modulation Destinations
- Appendix C: Delay Times (Delays 1-3)
- Appendix D: MIDI Implementation
- Appendix E: Support
- Bookmark 1
- _GoBack
- Bookmark 1
- MIDI_Implementation
- _Ref259391539
- _GoBack
- MIDI_messages
- _Ref47692693
- _Ref47691913
- _Ref47691938
- _Ref47692569
- _Ref47692613
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16 Oscillators
Dave Smith Instruments
O
FINE TUNE
C2
PITCH WAVE RESET KEY FOLLOW
Osc Mods Osc Level
Pitch Fine Tune Wave Reset Key Follow
Osc Shape Osc Tuning
O
AM AMOUNT
5
FM AMOUNT
Osc Level
FM Amount AM Amount Glide Osc Slop
Osc Shape Osc Tuning Osc Mods
20
GLIDE
0
OSC SLOP
100
LEVEL
Level Sync
Osc Shape Osc Tuning Osc Mods Osc Level
SYNC
Pitch: C 0…C 10—Sets the base oscillator frequency over a 10-octave
range, from 8 Hz to 8KHz, stepping in semitones. C3 is middle C, the rst
octave is 0 (C0, C#0, etc.), the second octave is 1 (C1, C#1, etc.), and so on.
The global Master Tune settings affect the pitch of all oscillators. See Global
Settings on page 10 for more information.
Fine: -50…+50—Fine tune control with a range of a quartertone up or
down. Zero is centered. Steps are in cents (50 cents = 1/2 semitone).
Shape/Noise: Off, Sawtooth, Super Saw, Pulse, Triangle, Sine, Tines,
Mellow, Church, Muted, Nasal, Boing, Gothic, Ahhh, Shrill, Ohhhh,
Buzzzz, Meh, Super Tines, Super Mellow, Super Church, Super Muted,
Super Nasal, Super Boing, Super Gothic, Super Ahhh, Super Shrill,
Super Ohhhh, Super Buzzzz, Super Meh, Red Noise, White Noise, Violet
Noise—Used to select the wave shape or type of noise generated by the
selected oscillator. Wave shapes include four typical analog synthesizer
waves as well as more complex wavetable sounds. There are also three
types of noise: red, white, and violet.