User Manual
Table Of Contents
- Evolver Operation Manual
- Dave Smith Instruments
 - 1210 Cabrillo Hwy N
 - Half Moon Bay, CA 94019-1449
 - For Technical Support, E-mail to:support@davesmithinstruments.com
 - Contents
 - Quick Start 6
 - Basic Operation FAQs 11
 - Inside Evolver 12
 - Signal Flow Diagram 13
 - Main Parameters 14
 - Sequencer Operation 18
 - Program Parameters 21
 - Modulation Destination Table 38
 - Modulation Source Table 40
 - MIDI Implementation 41
 - Welcome…
 - Register
 - Version 3.0 Notes
 - Quick Start
 - Program Notes
 
 - Bank 1
 - Bank 4
- Programs 80 – 128 are sounds meant to played from a keyboard; some have sequences programmed, and some do not. Most respond in different ways to keyboard pressure and mod wheel.
 - Special thanks to Program contributors, including:
 - Craig Wiper
 - Basic Operation FAQs
- The Analog Side
 - The Digital Side
- Sequencer Operation
 - While the sequencer is running, if you hold the Shift button when you hit the Stop button, the sequence will continue running until finished (according to the length of Sequence 1), and will stop after playing step 1.
 - A simple “tap tempo” feature is available. With the sequencer off, hold the Reset button, and then hold the Start/Stop button for a count of four; then lift up the Start/Stop button in time. The sequencer will start with the new tempo. Note – the actual speed will depend on the Clock Divide setting. The count will match if Clock Divide is set to 4n. If set to 8n, it will play twice as fast as your “tap”, and so forth.
 - Program Parameters
 
 - Display
 - Destination
 - 0ff
 - No destination selected
 - 01F
 - Oscillator 1 Frequency
 - 0AL
 - Oscillator All Level
 - noL
 - Noise Level
 - El
 - External In Level
 - 01P
 - Oscillator 1 Pulse width
 - F43
 - Frequency Mod (FM) Amount; Osc 4 -> 3
 - F34
 - Frequency Mod (FM) Amount; Osc 3 -> 4
 - R43
 - Ring Mod (Amplitude) Amount; Osc 4 -> 3
 - R34
 - Ring Mod (Amplitude) Amount; Osc 3 -> 4
 - FL
 - Lowpass filter frequency
 - FLS
 - Filter Split –separation between left / right
 - Res
 - Resonance
 - UCA
 - VCA amount
 - Fbf
 - Feedback frequency
 - Fba
 - Filter Amount
 - Dt1
 - Delay 1 Time
 - DA1
 - Delay 1 Amount
 - L1f
 - LFO 1 Frequency
 - L2f
 - LFO 2 Frequency
 - L3f
 - LFO 3 Frequency
 - L4f
 - LFO 4 Frequency
 
 
 - Additional Sequencer-Only Modulation Destinations
- Display
 - Destination
 - CL0
 - Sequencer clock (BPM) multiplier
 - n0
 - MIDI note number
 - uel
 - MIDI Velocity
 - Modulation Sources
 - Display
 - Source
 - 0ff
 - No Source selected
 - SE1
 - Sequence 1
 - fen
 - Filter Envelope
 - MIDI Implementation
- MIDI Messages
 - System Exclusive Messages
 - 0
 - No destination selected
 - 1
 - Oscillator 1 Frequency
 - 10
 - Oscillator All Level
 - 11
 - Noise Level
 - 12
 - External In Level
 - 13
 - Oscillator 1 Pulse width
 - 16
 - Frequency Mod (FM) Amount; Osc 4 -> 3
 - 17
 - Frequency Mod (FM) Amount; Osc 3 -> 4
 - 18
 - Ring Mod (Amplitude) Amount; Osc 4 -> 3
 - 19
 - Ring Mod (Amplitude) Amount; Osc 3 -> 4
 - 20
 - Filter frequency
 - 21
 - Filter Split –separation between left / right
 - 22
 - Resonance
 - 23
 - Highpass Frequency
 - 24
 - VCA amount
 - 25
 - Pan
 - 26
 - Feedback frequency
 - 27
 - Feedback Amount
 - 28
 - Delay Time 1
 - 29
 - Delay Time 2
 - 30
 - Delay Time 3
 - 31
 - Delay Time All
 - 32
 - Delay Amount 1
 - 33
 - Delay Amount 2
 - 34
 - Delay Amount 3
 - 35
 - Delay Amount All
 - 36
 - Delay Feedback 1
 - 37
 - Delay Feedback 2
 - 38
 - LFO 1 Frequency
 - 39
 - LFO 2 Frequency
 - 40
 - LFO 3 Frequency
 - 41
 - LFO 4 Frequency
 - Sequencer only destinations
 - 69
 - Tempo Clock multiplier
 - 70
 - MIDI Note Out
 - Modulation Sources
 - 0
 - No Source selected
 - 1
 - Sequence 1
 - 9
 - Filter Envelope
 
 
 
MIDI Implementation 
Evolver Receives MIDI data according to the mode controls in the Main Section. 
There is interaction between some of the controls to determine the overall response of 
Evolver to MIDI data; these controls are repeated below: 
MIDI Channel  Select which MIDI channel to send/receive data, 1 to 16. 
ALL 
receives on any channel. 
MIDI Rec:  MIDI Receive – determines what MIDI data to receive. 
Display  MIDI Receive Operation 
OFF 
No MIDI data received 
ALL 
All MIDI data received 
pro 
Only MIDI program changes received (along with 
note/controller data) 
par 
Only MIDI parameters received (along with note/controller 
data) 
MIDI Xmit:  MIDI transmits – determines what MIDI data to send. 
Display  MIDI Transmit Operation 
OFF 
No MIDI data sent 
ALL 
All MIDI data sent 
pro 
Only MIDI program changes sent 
par 
Only MIDI parameters received 
 Poly Chain: Poly Chain is used to link multiple Evolvers into a polyphonic system 
by selectively passing MIDI data through to the MIDI out jack where it can be routed 
to another Evolver. Note that MIDI clocks are handled separately per the MIDI Clock 
parameter. Settings: 
Display  Poly Chain Status 
OFF 
 MIDI operation is normal. 
ALL 
All MIDI information is passed through to the MIDI out 
jack 
not 
Only MIDI note data is passed through to the MIDI out 
jack. 
MIDI Clock: Selects the MIDI clock status, and enables External sequencer triggers, 
as follows: 
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