User Manual
Table Of Contents
- A Few Words of Thanks
- Chapter 1: Getting Started
- Rear Panel Connections
- Setting Up the Pro 3
- Using the Main Display
- Sound Banks
- Editing Programs
- Saving a Program
- Using Paraphonic Mode
- Exploring the Pro 3 in Greater Depth
- Chapter 2: Pro 3 Controls
- Oscillators
- Mixer
- Filters
- Amplifier Envelope
- Auxiliary Envelopes
- Low Frequency Oscillators
- Modulation
- Effects
- Arpeggiator
- Sequencer
- Normal, Gated, and Trigger Modes
- Programming the Sequencer
- Recording Phrases/Sequences A,B,C, or D.
- Sequencing Parameter Changes in Real-Time
- Copying a Sequence from One Track to Another
- Copying and Pasting an Entire Sequence
- Muting a Sequence Track
- Creating An Extended Sequence
- Paraphonic Sequencing
- Adding Rests, Ties, and Velocity
- Editing Duration
- Adding Ratcheting
- Editing Other Elements of a Sequence
- Setting or Changing the Destination of a Track
- Recording Additional Sequencer Tracks for Modulation
- Using Slew
- Turning off the Sequencer’s “Notes” Track
- Sequencer Parameters (Front Panel)
- Additional Sequencer Parameters (Display Menus)
- Cue Program
- Tuned Feedback
- Master Volume/Program Volume
- Transpose
- Hold
- Glide
- Pitch and Mod Wheels
- Touch slider
- Adding Aftertouch
- Distortion
- Play List
- Miscellaneous Parameters
- Global Settings
- Chapter 3: Programming the Pro 3
- Synthesis 101: Synth Bass
- Creating Synth Brass
- Creating a Hard-Sync Lead
- Chapter 4: Using the Pro 3 with External Devices
- Appendix A: Modulation Sources
- Appendix B: Modulation Destinations
- Appendix C: Troubleshooting and Support
- Appendix D: Calibrating the Pro 3
- Appendix E: Alternative Tunings
- Appendix F: MIDI Implementation
- Bookmark 1
- Bookmark 1
64
Sequencer
Sequential
Sequencing Parameter Changes in Real-Time
The Sequencer makes it easy to record parameter changes in real-time
as part of any of the four phrases/sequences, A,B,C, and D. To do this,
start playback, then hold down the Sequencer’s record button and adjust
front-panel controls such as lter cutoff, noise level, envelope settings,
or other parameters.
As the sequence plays, the Sequencer records the changes to the param-
eter and incorporates them into the sequence. Each parameter you adjust
is assigned to one of the available Sequencer tracks, 4-16. (Tracks 1-3
are reserved for note-related functions, but tracks 4-16 can be freely
assigned.)
Be aware of where and when the sequence loops back around to its
beginning since the Sequencer continues to record (and possibly over-
write) any parameter changes you make as it repeats.
To sequence parameter changes in real-time:
1. Start playback of an existing sequence by pressing the play button.
2. As the sequence plays, hold down the record button and adjust a
parameter (such as lter cutoff) in real-time. Recording loops around
with the sequence, continuously updating the changes you make.
3. As long as you continue to hold down the record button during play-
back you can continue to adjust that parameter or additional param-
eters. Each parameter is assigned to one of the available tracks, 4-16.