User Manual
Table Of Contents
- A Few Words of Thanks
- Chapter 1: Getting Started
- Rear Panel Connections
- Setting Up the Pro 3
- Using the Main Display
- Sound Banks
- Editing Programs
- Saving a Program
- Using Paraphonic Mode
- Exploring the Pro 3 in Greater Depth
- Chapter 2: Pro 3 Controls
- Oscillators
- Mixer
- Filters
- Amplifier Envelope
- Auxiliary Envelopes
- Low Frequency Oscillators
- Modulation
- Effects
- Arpeggiator
- Sequencer
- Normal, Gated, and Trigger Modes
- Programming the Sequencer
- Recording Phrases/Sequences A,B,C, or D.
- Sequencing Parameter Changes in Real-Time
- Copying a Sequence from One Track to Another
- Copying and Pasting an Entire Sequence
- Muting a Sequence Track
- Creating An Extended Sequence
- Paraphonic Sequencing
- Adding Rests, Ties, and Velocity
- Editing Duration
- Adding Ratcheting
- Editing Other Elements of a Sequence
- Setting or Changing the Destination of a Track
- Recording Additional Sequencer Tracks for Modulation
- Using Slew
- Turning off the Sequencer’s “Notes” Track
- Sequencer Parameters (Front Panel)
- Additional Sequencer Parameters (Display Menus)
- Cue Program
- Tuned Feedback
- Master Volume/Program Volume
- Transpose
- Hold
- Glide
- Pitch and Mod Wheels
- Touch slider
- Adding Aftertouch
- Distortion
- Play List
- Miscellaneous Parameters
- Global Settings
- Chapter 3: Programming the Pro 3
- Synthesis 101: Synth Bass
- Creating Synth Brass
- Creating a Hard-Sync Lead
- Chapter 4: Using the Pro 3 with External Devices
- Appendix A: Modulation Sources
- Appendix B: Modulation Destinations
- Appendix C: Troubleshooting and Support
- Appendix D: Calibrating the Pro 3
- Appendix E: Alternative Tunings
- Appendix F: MIDI Implementation
- Bookmark 1
- Bookmark 1
61
Pro 3 User’s Guide
Sequencer
• Keyboard trigger. Repeatedly pressing a key on keyboard advances the
sequence one step each time you press a key.
• The Arpeggiator. Selecting trigger mode, then turning on the Arpeg-
giator and holding down a chord on the keyboard runs the sequence
while notes are held. In this case, sequenced Note tracks are ignored
and only parameter automation tracks are played. This is useful for
adding sequenced lter sweeps or other modulation to an arpeggio.
• External input trigger. External input triggers include an external audio
input signal, MIDI, or a control voltage input.
BPM DIVIDE SWINGTAP TEMPO ARPEGGIATORVALUE
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16
TRACKS
SLEWSEQ LOCKCUE PGM
TRACK SEL
notes/vel duration ratchet cutoff assign 1 assign 2 assign 3 assign 4 assign 5 assign 6 assign 7 assign 8 CV out 1 CV out 2 CV out 3 CV out 4
A B C D
SEQUENCE RECORD PLAY MODE RESETDIRECTION
fwd
Normal
Gated
Trigger
rev fwd/rev random
The Sequencer
Play Source RestartSync to Trk 1 Para Seq
PARA SEQ
RESTART
Seq ModesBPM ArpSeq Param
SYNC TO TRK1PLAY SOURCE
Keyboard On O
The Sequencer Parameters menu (press the arpeggiator button to display)
Notes
Velocity
Step: A1 Note C5 Vel: 80Track: 1
C
5
C
5
C
5
C
5
C
5
C
5
C
5
C
5
C
5
C
5
C
5
C
5
C
5
C
5
C
5
C
5
C
5
Duration Ratchet Seq AVelocity
The sequence editor (press the track sel button to display)