User Manual
Table Of Contents
- A Few Words of Thanks
- Chapter 1: Getting Started
- Rear Panel Connections
- Setting Up the Pro 3
- Using the Main Display
- Sound Banks
- Editing Programs
- Saving a Program
- Using Paraphonic Mode
- Exploring the Pro 3 in Greater Depth
- Chapter 2: Pro 3 Controls
- Oscillators
- Mixer
- Filters
- Amplifier Envelope
- Auxiliary Envelopes
- Low Frequency Oscillators
- Modulation
- Effects
- Arpeggiator
- Sequencer
- Normal, Gated, and Trigger Modes
- Programming the Sequencer
- Recording Phrases/Sequences A,B,C, or D.
- Sequencing Parameter Changes in Real-Time
- Copying a Sequence from One Track to Another
- Copying and Pasting an Entire Sequence
- Muting a Sequence Track
- Creating An Extended Sequence
- Paraphonic Sequencing
- Adding Rests, Ties, and Velocity
- Editing Duration
- Adding Ratcheting
- Editing Other Elements of a Sequence
- Setting or Changing the Destination of a Track
- Recording Additional Sequencer Tracks for Modulation
- Using Slew
- Turning off the Sequencer’s “Notes” Track
- Sequencer Parameters (Front Panel)
- Additional Sequencer Parameters (Display Menus)
- Cue Program
- Tuned Feedback
- Master Volume/Program Volume
- Transpose
- Hold
- Glide
- Pitch and Mod Wheels
- Touch slider
- Adding Aftertouch
- Distortion
- Play List
- Miscellaneous Parameters
- Global Settings
- Chapter 3: Programming the Pro 3
- Synthesis 101: Synth Bass
- Creating Synth Brass
- Creating a Hard-Sync Lead
- Chapter 4: Using the Pro 3 with External Devices
- Appendix A: Modulation Sources
- Appendix B: Modulation Destinations
- Appendix C: Troubleshooting and Support
- Appendix D: Calibrating the Pro 3
- Appendix E: Alternative Tunings
- Appendix F: MIDI Implementation
- Bookmark 1
- Bookmark 1
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Arpeggiator
Sequential
Effect Type Param 1 Param 2 Param 3
stereo delay delay time feedback amount low-pass lter cutoff
BBD delay delay time feedback amount low-pass lter cutoff
chorus depth rate low-pass lter cutoff
anger depth rate feedback
phaser depth rate feedback
high-pass lter frequency resonance
ring mod frequency track shape
rotating speaker drive speed mic distance
super plate reverb time tone pre-delay
To recreate a classic time-shifting effect on the stereo or BBD delay, try adjust-
ing the delay time parameter in real time. You can also route an LFO or envelope to
the delay’s Time parameter using the modulation matrix.
Arpeggiator
The Arpeggiator allows you to hold a chord and the synthesizer will play
a pattern based on the individual notes held. You can adjust the playback
mode (up, down, up+down, random, assign.), the octave range (1, 2,
or 3), the number of repeats per note, and the tempo. The Arpeggiator
usually works best on sounds with a fast attack.
While you hold down a chord, pressing any additional notes will add
those notes to the arpeggio. You can change chords and notes and the
arpeggio will continue to play as long as at least one note is always held.
You can also use the hold feature with the Arpeggiator. When you enable
hold, you can release the notes on the keyboard and the arpeggio will
continue to play — with any additional notes that you play added to the
arpeggio.
To prevent the Arpeggiator from adding new notes to an arpeggio when keys
are continuously held (and instead start a new arpeggio each time you change notes),
turn arp relatch on in the Arpeggiator. To do this, press the Arpeggiator’s on/off button
and turn Soft Knob 3 to turn arp relatch on in the display.