User Manual
Table Of Contents
- A Few Words of Thanks
- Chapter 1: Getting Started
- Rear Panel Connections
- Setting Up the Pro 3
- Using the Main Display
- Sound Banks
- Editing Programs
- Saving a Program
- Using Paraphonic Mode
- Exploring the Pro 3 in Greater Depth
- Chapter 2: Pro 3 Controls
- Oscillators
- Mixer
- Filters
- Amplifier Envelope
- Auxiliary Envelopes
- Low Frequency Oscillators
- Modulation
- Effects
- Arpeggiator
- Sequencer
- Normal, Gated, and Trigger Modes
- Programming the Sequencer
- Recording Phrases/Sequences A,B,C, or D.
- Sequencing Parameter Changes in Real-Time
- Copying a Sequence from One Track to Another
- Copying and Pasting an Entire Sequence
- Muting a Sequence Track
- Creating An Extended Sequence
- Paraphonic Sequencing
- Adding Rests, Ties, and Velocity
- Editing Duration
- Adding Ratcheting
- Editing Other Elements of a Sequence
- Setting or Changing the Destination of a Track
- Recording Additional Sequencer Tracks for Modulation
- Using Slew
- Turning off the Sequencer’s “Notes” Track
- Sequencer Parameters (Front Panel)
- Additional Sequencer Parameters (Display Menus)
- Cue Program
- Tuned Feedback
- Master Volume/Program Volume
- Transpose
- Hold
- Glide
- Pitch and Mod Wheels
- Touch slider
- Adding Aftertouch
- Distortion
- Play List
- Miscellaneous Parameters
- Global Settings
- Chapter 3: Programming the Pro 3
- Synthesis 101: Synth Bass
- Creating Synth Brass
- Creating a Hard-Sync Lead
- Chapter 4: Using the Pro 3 with External Devices
- Appendix A: Modulation Sources
- Appendix B: Modulation Destinations
- Appendix C: Troubleshooting and Support
- Appendix D: Calibrating the Pro 3
- Appendix E: Alternative Tunings
- Appendix F: MIDI Implementation
- Bookmark 1
- Bookmark 1
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Pro 3 User’s Guide
Effects
Sync (in the main display): On, Off—When a delay effect is chosen, this
enables syncing of the timed delay repeats (feedback) to the Arpeggiator,
Sequencer, or MIDI clock. When sync is on, delay time has the following
values:
Value Delay Time
Whole (1) 4 beats
Half dot (2D) 3 beats
Half (2) 2 beats
Quarter dot (4D) 1 1/2 beats
Quarter (4) 1 beat
Quarter triplet (4T) 1 1/3 beats
8th dot (8D) 3/4 of 1 beat
8th (8) 1/2 of 1 beat
8th triplet (8T) 1/3 of 1 beat
16th dot (16D) 3/8 of 1 beat
16th (16) 1/4 of 1 beat
Maximum delay time is approximately 1 second. The combination of longer
synced delay times with slower tempos can result in delay times that would be greater
than 1 second. When that happens, the delay time is divided by 2 until it no longer
exceeds the 1 second limit. For example, if the BPM is set to 60 and Delay Time
(Parameter 1) is set to Half, the expected delay time would be 2 seconds. The actual
delay time will be 1 second (i.e. 2 seconds divided by 2).
Parameter 1: Variable, depending on the effect—This knob adjusts
parameter 1 for the chosen effect. Each effect has three adjustable
parameters, which differ depending on the effect.
Parameter 2: Variable, depending on the effect—This knob adjusts
parameter 2 for the chosen effect. Each effect has three adjustable
parameters, which differ depending on the effect.
Parameter 3: Variable, depending on the effect—This knob adjusts
parameter 3 for the chosen effect. Each effect has three adjustable
parameters, which differ depending on the effect.