User Manual
Table Of Contents
- A Few Words of Thanks
- Chapter 1: Getting Started
- Rear Panel Connections
- Setting Up the Pro 3
- Using the Main Display
- Sound Banks
- Editing Programs
- Saving a Program
- Using Paraphonic Mode
- Exploring the Pro 3 in Greater Depth
- Chapter 2: Pro 3 Controls
- Oscillators
- Mixer
- Filters
- Amplifier Envelope
- Auxiliary Envelopes
- Low Frequency Oscillators
- Modulation
- Effects
- Arpeggiator
- Sequencer
- Normal, Gated, and Trigger Modes
- Programming the Sequencer
- Recording Phrases/Sequences A,B,C, or D.
- Sequencing Parameter Changes in Real-Time
- Copying a Sequence from One Track to Another
- Copying and Pasting an Entire Sequence
- Muting a Sequence Track
- Creating An Extended Sequence
- Paraphonic Sequencing
- Adding Rests, Ties, and Velocity
- Editing Duration
- Adding Ratcheting
- Editing Other Elements of a Sequence
- Setting or Changing the Destination of a Track
- Recording Additional Sequencer Tracks for Modulation
- Using Slew
- Turning off the Sequencer’s “Notes” Track
- Sequencer Parameters (Front Panel)
- Additional Sequencer Parameters (Display Menus)
- Cue Program
- Tuned Feedback
- Master Volume/Program Volume
- Transpose
- Hold
- Glide
- Pitch and Mod Wheels
- Touch slider
- Adding Aftertouch
- Distortion
- Play List
- Miscellaneous Parameters
- Global Settings
- Chapter 3: Programming the Pro 3
- Synthesis 101: Synth Bass
- Creating Synth Brass
- Creating a Hard-Sync Lead
- Chapter 4: Using the Pro 3 with External Devices
- Appendix A: Modulation Sources
- Appendix B: Modulation Destinations
- Appendix C: Troubleshooting and Support
- Appendix D: Calibrating the Pro 3
- Appendix E: Alternative Tunings
- Appendix F: MIDI Implementation
- Bookmark 1
- Bookmark 1
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Low Frequency Oscillators
Sequential
Loop: Off, On—When on, the Delay, Attack, and Decay segments of
the envelope repeat. Sustain still affects the level at which the Decay
segment ends, but instead of sustaining at a xed level while a key is
held down, Delay, Attack, and Decay loop until the key is released. (The
Release segment begins when the key is released, just as it does when
Repeat is off.)
Low Frequency Oscillators
The three LFOs are special-purpose oscillators that produce a frequency
that is typically below the range of human hearing (although these can
actually extend into the audio range if set to their maximum frequency).
The LFOs are typically used for periodic modulation such as vibrato
(periodic pitch modulation) and tremolo (periodic amplitude modula-
tion). They can also be used as modulation sources for any of the many
modulatable parameters in the Pro 3.
The LFOs produce a variety of waveshapes, including triangle, sawtooth,
reverse sawtooth, square, and s&h (sample & hold/random). Though
most often used for low-frequency modulation, the Pro 3 LFOs can actually
function at speeds that extend into the audible range for extreme effects.
FREQUENCY AMOUNT
1 2 3
DESTINATIONSHAPE
LFO
The Low Frequency Oscillators