User Manual
Table Of Contents
- A Few Words of Thanks
- Chapter 1: Getting Started
- Rear Panel Connections
- Setting Up the Pro 3
- Using the Main Display
- Sound Banks
- Editing Programs
- Saving a Program
- Using Paraphonic Mode
- Exploring the Pro 3 in Greater Depth
- Chapter 2: Pro 3 Controls
- Oscillators
- Mixer
- Filters
- Amplifier Envelope
- Auxiliary Envelopes
- Low Frequency Oscillators
- Modulation
- Effects
- Arpeggiator
- Sequencer
- Normal, Gated, and Trigger Modes
- Programming the Sequencer
- Recording Phrases/Sequences A,B,C, or D.
- Sequencing Parameter Changes in Real-Time
- Copying a Sequence from One Track to Another
- Copying and Pasting an Entire Sequence
- Muting a Sequence Track
- Creating An Extended Sequence
- Paraphonic Sequencing
- Adding Rests, Ties, and Velocity
- Editing Duration
- Adding Ratcheting
- Editing Other Elements of a Sequence
- Setting or Changing the Destination of a Track
- Recording Additional Sequencer Tracks for Modulation
- Using Slew
- Turning off the Sequencer’s “Notes” Track
- Sequencer Parameters (Front Panel)
- Additional Sequencer Parameters (Display Menus)
- Cue Program
- Tuned Feedback
- Master Volume/Program Volume
- Transpose
- Hold
- Glide
- Pitch and Mod Wheels
- Touch slider
- Adding Aftertouch
- Distortion
- Play List
- Miscellaneous Parameters
- Global Settings
- Chapter 3: Programming the Pro 3
- Synthesis 101: Synth Bass
- Creating Synth Brass
- Creating a Hard-Sync Lead
- Chapter 4: Using the Pro 3 with External Devices
- Appendix A: Modulation Sources
- Appendix B: Modulation Destinations
- Appendix C: Troubleshooting and Support
- Appendix D: Calibrating the Pro 3
- Appendix E: Alternative Tunings
- Appendix F: MIDI Implementation
- Bookmark 1
- Bookmark 1
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Pro 3 User’s Guide
Auxiliary Envelopes
Auxiliary Envelopes
The Pro 3 has two additional 5-stage envelope generators (attack, decay,
sustain, release, plus delay). They are useful for creating modulation
that varies over time according to the shape of the envelope. Routing an
envelope to an oscillator’s frequency, for example, causes the oscillator’s
pitch to rise and fall according to the contour of the envelope.
As with all of the Pro 3’s envelopes, there are controls for modulating the
envelope amount using keyboard velocity. The Auxiliary Envelopes can be
routed to any of the modulation destinations in the mod matrix. In addition,
the Auxiliary Envelopes can repeat (loop) using the repeat function in the
aux envelopes display menu. This is useful for cyclical 4-stage modulation.
There are many ways to make creative use of the Auxiliary Envelopes:
• Route an Auxiliary Envelope to one of the oscillators’ coarse freq
parameter to create the classic “pitch blip” effect used in many synth
lead sounds.
• Route an Auxiliary Envelope to the lter’s cutoff parameter (in addi-
tion to the standard Filter Envelope) to create a more complex lter
envelope shape.
• Route an Auxiliary Envelope to one or more of the oscillators’ shape
parameter to make their timbre evolve according to envelope’s contour.
• Route an Auxiliary Envelope with a fast attack and short decay to noise
level to add a percussive attack to a sound. (Noise should be set to zero
in the Mixer.)
Actually, any of the Pro 3’s envelopes can be routed to any destination (or multiple
destinations) using the modulation matrix. See “Modulation” on page 47 for more
information.
VELOCITY ATTACK DECAY SUSTAIN RELEASE AMOUNT
ATTACK DECAY SUSTAIN RELEASEAUX ENV AMOUNT
VELOCITY ATTACK DECAY SUSTAIN RELEASE AMOUNT
1 2
ENVELOPES
AMP FILTER
AUX
Auxiliary Envelopes