User Manual
Table Of Contents
- A Few Words of Thanks
- Chapter 1: Getting Started
- Rear Panel Connections
- Setting Up the Pro 3
- Using the Main Display
- Sound Banks
- Editing Programs
- Saving a Program
- Using Paraphonic Mode
- Exploring the Pro 3 in Greater Depth
- Chapter 2: Pro 3 Controls
- Oscillators
- Mixer
- Filters
- Amplifier Envelope
- Auxiliary Envelopes
- Low Frequency Oscillators
- Modulation
- Effects
- Arpeggiator
- Sequencer
- Normal, Gated, and Trigger Modes
- Programming the Sequencer
- Recording Phrases/Sequences A,B,C, or D.
- Sequencing Parameter Changes in Real-Time
- Copying a Sequence from One Track to Another
- Copying and Pasting an Entire Sequence
- Muting a Sequence Track
- Creating An Extended Sequence
- Paraphonic Sequencing
- Adding Rests, Ties, and Velocity
- Editing Duration
- Adding Ratcheting
- Editing Other Elements of a Sequence
- Setting or Changing the Destination of a Track
- Recording Additional Sequencer Tracks for Modulation
- Using Slew
- Turning off the Sequencer’s “Notes” Track
- Sequencer Parameters (Front Panel)
- Additional Sequencer Parameters (Display Menus)
- Cue Program
- Tuned Feedback
- Master Volume/Program Volume
- Transpose
- Hold
- Glide
- Pitch and Mod Wheels
- Touch slider
- Adding Aftertouch
- Distortion
- Play List
- Miscellaneous Parameters
- Global Settings
- Chapter 3: Programming the Pro 3
- Synthesis 101: Synth Bass
- Creating Synth Brass
- Creating a Hard-Sync Lead
- Chapter 4: Using the Pro 3 with External Devices
- Appendix A: Modulation Sources
- Appendix B: Modulation Destinations
- Appendix C: Troubleshooting and Support
- Appendix D: Calibrating the Pro 3
- Appendix E: Alternative Tunings
- Appendix F: MIDI Implementation
- Bookmark 1
- Bookmark 1
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Pro 3 User’s Guide
Filters
Envelope Parameters (Front Panel)
Attack: 0...127—Sets the attack time of the envelope. The higher the
setting, the slower the attack time and the longer it takes for the lter to
open from the level set with the lter cutoff knob to the level set by the
lter envelope amount. Percussive sounds typically have sharp (short)
attacks.
Decay: 0...127—Sets the decay time of the envelope. After a sound
reaches the lter frequency set at its attack stage, decay controls how
quickly the lter then transitions to the cutoff frequency set with the
sustain knob. The higher the setting, the longer the decay. Percussive
sounds, such as synth bass, typically have shorter decays (and a generous
amount of low-pass lter resonance).
Sustain: 0...127—Sets the lter cutoff frequency for the sustained
portion of the sound. The sound will stay at this lter frequency for as
long as a note is held on the keyboard.
Release: 0...127—Sets the release time of the envelope. This controls
how quickly the lter closes after a note is released.
Velocity On/Off: On, Off—Allows key velocity to inuence lter cutoff
frequency. If on, the harder you play, the more the lter will open and the
brighter the sound will be. If off, key velocity will not affect the lter.
This control allows for more touch-sensitive sounds.
Amount: -127...127—Sets the amount of modulation from the lter
envelope to the lter’s cutoff frequency. Any setting above zero means
that each time you strike a key, the lter envelope controls how the lter
opens and closes. Higher amounts more dramatically affect the cutoff
frequency. This control is bipolar. Positive settings produce standard
behavior. Negative settings invert the envelope.