User Manual
Table Of Contents
- A Few Words of Thanks
- Chapter 1: Getting Started
- Rear Panel Connections
- Setting Up the Pro 3
- Using the Main Display
- Sound Banks
- Editing Programs
- Saving a Program
- Using Paraphonic Mode
- Exploring the Pro 3 in Greater Depth
- Chapter 2: Pro 3 Controls
- Oscillators
- Mixer
- Filters
- Amplifier Envelope
- Auxiliary Envelopes
- Low Frequency Oscillators
- Modulation
- Effects
- Arpeggiator
- Sequencer
- Normal, Gated, and Trigger Modes
- Programming the Sequencer
- Recording Phrases/Sequences A,B,C, or D.
- Sequencing Parameter Changes in Real-Time
- Copying a Sequence from One Track to Another
- Copying and Pasting an Entire Sequence
- Muting a Sequence Track
- Creating An Extended Sequence
- Paraphonic Sequencing
- Adding Rests, Ties, and Velocity
- Editing Duration
- Adding Ratcheting
- Editing Other Elements of a Sequence
- Setting or Changing the Destination of a Track
- Recording Additional Sequencer Tracks for Modulation
- Using Slew
- Turning off the Sequencer’s “Notes” Track
- Sequencer Parameters (Front Panel)
- Additional Sequencer Parameters (Display Menus)
- Cue Program
- Tuned Feedback
- Master Volume/Program Volume
- Transpose
- Hold
- Glide
- Pitch and Mod Wheels
- Touch slider
- Adding Aftertouch
- Distortion
- Play List
- Miscellaneous Parameters
- Global Settings
- Chapter 3: Programming the Pro 3
- Synthesis 101: Synth Bass
- Creating Synth Brass
- Creating a Hard-Sync Lead
- Chapter 4: Using the Pro 3 with External Devices
- Appendix A: Modulation Sources
- Appendix B: Modulation Destinations
- Appendix C: Troubleshooting and Support
- Appendix D: Calibrating the Pro 3
- Appendix E: Alternative Tunings
- Appendix F: MIDI Implementation
- Bookmark 1
- Bookmark 1
28
Filters
Sequential
Additional Filter Parameters (Display Menus)
Additional Filter parameters are accessible through the menus in the
main display. To see these menus, adjust any of controls in filter section
of the front panel. The parameters explained below are the ones that
don’t already appear on the front panel.
TAB 2 - Filter Misc
LP-NOTCH-HP
LP-Notch-BP Key>LPF FRQBdPass-Notch Env Amt
028
LADDER RES COMP
KEY>LPF FREQ
ADSRFilter Env AmtFilter Misc
BDPASS-NOTCH
Key>LPF Freq: 0...127—Sets the amount of modulation from the
keyboard to the lter’s cutoff frequency. Any setting above zero means
that the higher the note played on the keyboard, the more the lter opens.
This is useful for adding brightness to a sound as higher notes are played,
which is typically how acoustic instruments behave. When set to zero,
keyboard lter tracking is off, meaning that lter frequency is unaffected by
playing higher or lower notes on the keyboard. When set to 127, the lter
will track in half-step increments, which can be useful if you are using
the lter to generate a pitch through self-oscillation.
Ladder Res Comp: On, Off—In a classic ladder lter, increasing the
amount of resonance decreases the amount of bass response. This param-
eter compensates for this by boosting bass frequencies as resonance is
increased on Low-Pass 2 Filter. This parameter is on by default.