User Manual
Table Of Contents
- A Few Words of Thanks
- Chapter 1: Getting Started
- Rear Panel Connections
- Setting Up the Pro 3
- Using the Main Display
- Sound Banks
- Editing Programs
- Saving a Program
- Using Paraphonic Mode
- Exploring the Pro 3 in Greater Depth
- Chapter 2: Pro 3 Controls
- Oscillators
- Mixer
- Filters
- Amplifier Envelope
- Auxiliary Envelopes
- Low Frequency Oscillators
- Modulation
- Effects
- Arpeggiator
- Sequencer
- Normal, Gated, and Trigger Modes
- Programming the Sequencer
- Recording Phrases/Sequences A,B,C, or D.
- Sequencing Parameter Changes in Real-Time
- Copying a Sequence from One Track to Another
- Copying and Pasting an Entire Sequence
- Muting a Sequence Track
- Creating An Extended Sequence
- Paraphonic Sequencing
- Adding Rests, Ties, and Velocity
- Editing Duration
- Adding Ratcheting
- Editing Other Elements of a Sequence
- Setting or Changing the Destination of a Track
- Recording Additional Sequencer Tracks for Modulation
- Using Slew
- Turning off the Sequencer’s “Notes” Track
- Sequencer Parameters (Front Panel)
- Additional Sequencer Parameters (Display Menus)
- Cue Program
- Tuned Feedback
- Master Volume/Program Volume
- Transpose
- Hold
- Glide
- Pitch and Mod Wheels
- Touch slider
- Adding Aftertouch
- Distortion
- Play List
- Miscellaneous Parameters
- Global Settings
- Chapter 3: Programming the Pro 3
- Synthesis 101: Synth Bass
- Creating Synth Brass
- Creating a Hard-Sync Lead
- Chapter 4: Using the Pro 3 with External Devices
- Appendix A: Modulation Sources
- Appendix B: Modulation Destinations
- Appendix C: Troubleshooting and Support
- Appendix D: Calibrating the Pro 3
- Appendix E: Alternative Tunings
- Appendix F: MIDI Implementation
- Bookmark 1
- Bookmark 1
23
Pro 3 User’s Guide
Mixer
Additional Mixer Parameters (Display Menu)
Additional Mixer parameters are accessible through the menus in the
main display. To see these menus, adjust any control in mixer section of
the front panel. The parameters explained below do not appear on the
front panel.
TAB 2 - Ext in
INPUT LEVEL
Input Level In Gate ThreshInput Gain
INPUT GAIN
127 00
IN GATE THRESH
Ext In EnvMixer LPF MiscExt In
Input Gain: 0...127—Boosts the input level of any signal connected to
the audio in connector on the rear panel of the Pro 3. This is useful for
increasing the gain of low-level output devices such as guitars.
In Gate Thresh: 0...127—Sets the threshold above which external
input signals will trigger the Pro 3’s. Triggering from an external audio
input allows you to drive the Pro 3’s Sequencer steps with guitars, drum
machines and other devices.
TAB 3 - Ext in Env
INPUT ATTACK
Input Attack Input Release
INPUT RELEASE
00
Ext In EnvMixer LPF MiscExt In
Input Attack: 0...15—Sets the attack speed of the envelope follower. Use
this to ne tune the response of the envelope follower when triggering
the Sequencer from an external device connected to the audio in jack on
the rear panel of the Pro 3.
Input Release: 0...127—Sets the release speed of the envelope follower.
Use this to ne tune the response of the envelope follower when trigger-
ing the Sequencer from an external device connected to the audio in jack
on the rear panel of the Pro 3.