User Manual
Table Of Contents
- A Few Words of Thanks
- Chapter 1: Getting Started
- Rear Panel Connections
- Setting Up the Pro 3
- Using the Main Display
- Sound Banks
- Editing Programs
- Saving a Program
- Using Paraphonic Mode
- Exploring the Pro 3 in Greater Depth
- Chapter 2: Pro 3 Controls
- Oscillators
- Mixer
- Filters
- Amplifier Envelope
- Auxiliary Envelopes
- Low Frequency Oscillators
- Modulation
- Effects
- Arpeggiator
- Sequencer
- Normal, Gated, and Trigger Modes
- Programming the Sequencer
- Recording Phrases/Sequences A,B,C, or D.
- Sequencing Parameter Changes in Real-Time
- Copying a Sequence from One Track to Another
- Copying and Pasting an Entire Sequence
- Muting a Sequence Track
- Creating An Extended Sequence
- Paraphonic Sequencing
- Adding Rests, Ties, and Velocity
- Editing Duration
- Adding Ratcheting
- Editing Other Elements of a Sequence
- Setting or Changing the Destination of a Track
- Recording Additional Sequencer Tracks for Modulation
- Using Slew
- Turning off the Sequencer’s “Notes” Track
- Sequencer Parameters (Front Panel)
- Additional Sequencer Parameters (Display Menus)
- Cue Program
- Tuned Feedback
- Master Volume/Program Volume
- Transpose
- Hold
- Glide
- Pitch and Mod Wheels
- Touch slider
- Adding Aftertouch
- Distortion
- Play List
- Miscellaneous Parameters
- Global Settings
- Chapter 3: Programming the Pro 3
- Synthesis 101: Synth Bass
- Creating Synth Brass
- Creating a Hard-Sync Lead
- Chapter 4: Using the Pro 3 with External Devices
- Appendix A: Modulation Sources
- Appendix B: Modulation Destinations
- Appendix C: Troubleshooting and Support
- Appendix D: Calibrating the Pro 3
- Appendix E: Alternative Tunings
- Appendix F: MIDI Implementation
- Bookmark 1
- Bookmark 1
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Pro 3 User’s Guide
Rear Panel Connections
6. Pedal—Accepts a standard expression pedal that has a variable resis-
tor on a TRS (tip-ring-sleeve) ¼ inch phone plug. Once connected, you
can use the modulation matrix to route the pedal to control a variety of
things such as volume or lter cutoff frequency to add expressiveness to
live performance.
7. Control Voltage Ins 1-4—Standard 3.5 mm connectors. These jacks
accept a +/-5V signal for interfacing with modular synthesizers. They can
be congured for 1-volt-per-octave operation for gear that recognize that
standard.
8. Control Voltage Outs 1-4—Standard 3.5 mm connectors. These jacks
output a +/-5V signal for interfacing with modular synthesizers. They can
be congured for 1-volt-per-octave operation for gear that recognize that
standard.
9. Gate Out—Standard 3.5 mm connector. This jack outputs a 10-volt
on/off signal to switch a note on/off in external Sequencers and other
devices that support this type of connectivity.
10. Audio In—Unbalanced, ¼ inch audio input. The Pro 3 accepts exter-
nal audio signals for processing through this connector. Input level can
be adjusted using the ext audio knob in the Mixer section.
11. Audio Outputs—Unbalanced, ¼ inch audio outputs. The Pro 3
sounds great in stereo, but can be switched to mono if needed. See
“Global Settings” on page 96.
12. Headphones (on front) — ¼ inch stereo headphone jack. Headphone
volume is controlled by the master volume knob on the front panel.
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