User Manual
Table Of Contents
- A Few Words of Thanks
- Chapter 1: Getting Started
- Rear Panel Connections
- Setting Up the Pro 3
- Using the Main Display
- Sound Banks
- Editing Programs
- Saving a Program
- Using Paraphonic Mode
- Exploring the Pro 3 in Greater Depth
- Chapter 2: Pro 3 Controls
- Oscillators
- Mixer
- Filters
- Amplifier Envelope
- Auxiliary Envelopes
- Low Frequency Oscillators
- Modulation
- Effects
- Arpeggiator
- Sequencer
- Normal, Gated, and Trigger Modes
- Programming the Sequencer
- Recording Phrases/Sequences A,B,C, or D.
- Sequencing Parameter Changes in Real-Time
- Copying a Sequence from One Track to Another
- Copying and Pasting an Entire Sequence
- Muting a Sequence Track
- Creating An Extended Sequence
- Paraphonic Sequencing
- Adding Rests, Ties, and Velocity
- Editing Duration
- Adding Ratcheting
- Editing Other Elements of a Sequence
- Setting or Changing the Destination of a Track
- Recording Additional Sequencer Tracks for Modulation
- Using Slew
- Turning off the Sequencer’s “Notes” Track
- Sequencer Parameters (Front Panel)
- Additional Sequencer Parameters (Display Menus)
- Cue Program
- Tuned Feedback
- Master Volume/Program Volume
- Transpose
- Hold
- Glide
- Pitch and Mod Wheels
- Touch slider
- Adding Aftertouch
- Distortion
- Play List
- Miscellaneous Parameters
- Global Settings
- Chapter 3: Programming the Pro 3
- Synthesis 101: Synth Bass
- Creating Synth Brass
- Creating a Hard-Sync Lead
- Chapter 4: Using the Pro 3 with External Devices
- Appendix A: Modulation Sources
- Appendix B: Modulation Destinations
- Appendix C: Troubleshooting and Support
- Appendix D: Calibrating the Pro 3
- Appendix E: Alternative Tunings
- Appendix F: MIDI Implementation
- Bookmark 1
- Bookmark 1
2
Rear Panel Connections
Sequential
Rear Panel Connections
The rear panel of the Pro 3 has connectors for power, USB, MIDI, audio,
and pedals.
1. Power On/Off—This rocker switch controls power on and off to the
Pro 3.
2. AC Power Connector—Accepts a standard, grounded IEC power
cord. Operates over a range of 100 to 240 volts and 50 to 60 Hz.
3. USB—For bidirectional MIDI communication with a computer. The
Pro 3 is a Class Compliant USB device and does not require additional
drivers when used with Mac OS or Windows. See “Using USB” on page
4 for more information.
4. MIDI In, Out 1, Thru, Out 2—Standard 5-pin MIDI DIN connectors
for communicating with MIDI-equipped devices.
5. Footswitch—Accepts a momentary, normally open or normally closed
footswitch to control sustain or to latch the Arpeggiator on when keys
are held. Alternatively, an audio signal connected to the audio in jack can
be used to either control Sequencer/Arpeggiator playback, or to gate the
lter and amplier envelopes while notes are held.
Audio signals used to drive the Arpeggiator/Sequencer should not exceed 5
volts peak-to-peak.
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