User Manual
Table Of Contents
- A Few Words of Thanks
- Chapter 1: Getting Started
- Rear Panel Connections
- Setting Up the Pro 3
- Using the Main Display
- Sound Banks
- Editing Programs
- Saving a Program
- Using Paraphonic Mode
- Exploring the Pro 3 in Greater Depth
- Chapter 2: Pro 3 Controls
- Oscillators
- Mixer
- Filters
- Amplifier Envelope
- Auxiliary Envelopes
- Low Frequency Oscillators
- Modulation
- Effects
- Arpeggiator
- Sequencer
- Normal, Gated, and Trigger Modes
- Programming the Sequencer
- Recording Phrases/Sequences A,B,C, or D.
- Sequencing Parameter Changes in Real-Time
- Copying a Sequence from One Track to Another
- Copying and Pasting an Entire Sequence
- Muting a Sequence Track
- Creating An Extended Sequence
- Paraphonic Sequencing
- Adding Rests, Ties, and Velocity
- Editing Duration
- Adding Ratcheting
- Editing Other Elements of a Sequence
- Setting or Changing the Destination of a Track
- Recording Additional Sequencer Tracks for Modulation
- Using Slew
- Turning off the Sequencer’s “Notes” Track
- Sequencer Parameters (Front Panel)
- Additional Sequencer Parameters (Display Menus)
- Cue Program
- Tuned Feedback
- Master Volume/Program Volume
- Transpose
- Hold
- Glide
- Pitch and Mod Wheels
- Touch slider
- Adding Aftertouch
- Distortion
- Play List
- Miscellaneous Parameters
- Global Settings
- Chapter 3: Programming the Pro 3
- Synthesis 101: Synth Bass
- Creating Synth Brass
- Creating a Hard-Sync Lead
- Chapter 4: Using the Pro 3 with External Devices
- Appendix A: Modulation Sources
- Appendix B: Modulation Destinations
- Appendix C: Troubleshooting and Support
- Appendix D: Calibrating the Pro 3
- Appendix E: Alternative Tunings
- Appendix F: MIDI Implementation
- Bookmark 1
- Bookmark 1
110
Creating a Hard-Sync Lead
Sequential
Creating a Hard-Sync Lead
Here’s another classic sound: a hard-sync lead. A famous example of this
is “Let’s Go” by the Cars (performed on a Prophet-5). In this example
you’ll learn how to hard-sync the oscillators, pitch-modulate one of them
with an auxiliary envelope, then add effects.
To create a hard-sync lead:
1. Press the global button.
2. Use Soft Knob 1 to navigate to basic program and press Soft Button 1
(write now). As a shortcut, hold down the front-panel transpose down
button and press the latch button.
3. In the mixer, turn up Oscillator 2 to 127. (Osc 1 is already at 127.)
4. In the oscillators section, set both oscillators to sawtooth.
5. On Oscillator 1, enable the sync 1 button. (See page 19 for an expla-
nation of hard sync.)
6. Set Oscillator 1’s octave to 1. This will allow for a wide range of pitch
modulation in step 9.
7. In the aux envelope section, select envelope 1.
8. in the display, press Soft Button 1 (aux 1 dest) and use Soft Knob 1
to choose osc 1 coarse freq as the destination. This routes envelope
1 to modulate Oscillator 1 pitch according to its ADSR (attack, decay,
sustain, release) settings.
9. Set the auxiliary env amount to 127 and attack to 23, decay to 60,
sustain to 100, and release to 65. This will set the amount and “shape”
of the modulation.
10. Play some notes. Classic hard-sync lead!
11. Experiment with Aux Envelope 1’s Attack, Decay, Sustain, and Release
settings to better understand how these affect the shape of pitch modu-
lation routed to Oscillator 1.