User Manual
Table Of Contents
- A Few Words of Thanks
- Chapter 1: Getting Started
- Rear Panel Connections
- Setting Up the Pro 3
- Using the Main Display
- Sound Banks
- Editing Programs
- Saving a Program
- Using Paraphonic Mode
- Exploring the Pro 3 in Greater Depth
- Chapter 2: Pro 3 Controls
- Oscillators
- Mixer
- Filters
- Amplifier Envelope
- Auxiliary Envelopes
- Low Frequency Oscillators
- Modulation
- Effects
- Arpeggiator
- Sequencer
- Normal, Gated, and Trigger Modes
- Programming the Sequencer
- Recording Phrases/Sequences A,B,C, or D.
- Sequencing Parameter Changes in Real-Time
- Copying a Sequence from One Track to Another
- Copying and Pasting an Entire Sequence
- Muting a Sequence Track
- Creating An Extended Sequence
- Paraphonic Sequencing
- Adding Rests, Ties, and Velocity
- Editing Duration
- Adding Ratcheting
- Editing Other Elements of a Sequence
- Setting or Changing the Destination of a Track
- Recording Additional Sequencer Tracks for Modulation
- Using Slew
- Turning off the Sequencer’s “Notes” Track
- Sequencer Parameters (Front Panel)
- Additional Sequencer Parameters (Display Menus)
- Cue Program
- Tuned Feedback
- Master Volume/Program Volume
- Transpose
- Hold
- Glide
- Pitch and Mod Wheels
- Touch slider
- Adding Aftertouch
- Distortion
- Play List
- Miscellaneous Parameters
- Global Settings
- Chapter 3: Programming the Pro 3
- Synthesis 101: Synth Bass
- Creating Synth Brass
- Creating a Hard-Sync Lead
- Chapter 4: Using the Pro 3 with External Devices
- Appendix A: Modulation Sources
- Appendix B: Modulation Destinations
- Appendix C: Troubleshooting and Support
- Appendix D: Calibrating the Pro 3
- Appendix E: Alternative Tunings
- Appendix F: MIDI Implementation
- Bookmark 1
- Bookmark 1
100
Global Settings
Sequential
24. Aftertouch Enable: On, Off—Selects whether aftertouch (key pres-
sure) is enabled or disabled. If disabled, the Pro 3 will neither respond to
nor transmit aftertouch/key pressure data.
25. Aftertouch Curve: Curve 1, Curve 2, Curve 3, Curve 4—Sets one of
four pressure curves for the keyboard to adjust the aftertouch to your playing
style.
26. Velocity Curve: Curve 1... Curve 8—Sets one of the eight velocity
curves for the keyboard to adjust the velocity response to your playing style.
27. Scale (Alt Tuning): Equal Temperment, 1…17—Selects one of the Pro
3’s built-in tunings. Set to 1. equal temperment, the tuning is standard, chro-
matic tuning. Choosing 2 through 65 selects an alternative, non-chromatic,
non-Western scale that can be used to emulate ethnic instruments or in other
creative ways. See “Appendix C: Alternative Tunings” on page 82 for a
description of each tuning. Additional tunings can be imported as a SysEx
message. Note that alternative tunings can be enabled globally here, or on
a per-sound basis by using the scale parameter in the key modes tab of the
misc params menu.
28. CV 1 In Offset: -127…+128—Allows adjustment of the DC offset of
control voltage input 1.
The Pro 3 is exible when it comes to Control Voltages, and it can be
congured to accurately interact with virtually all Eurorack modules.
The Pro 3’s CV inputs and outputs have a range of 0 to 10v. Since the
range is 0-10v, Middle C is sent from the CV output at 5v. This allows
the CV out to track over a 10 octave range, from 0 to 10v. There is no
standard input voltage range for Eurorack modules. Some modules and
external synthesizers have a 10v input range, while others have a 5v
input range. For example, if you want a 0-5v range, set offset to 64.
Using the cv offset parameter, you can congure the Pro 3 as necessary
to work correctly with your specic module. You can also assign the
keyboard and Sequencer of the Pro 3 to transmit CV data at 1v/octave by
assigning note number to modulate cvs 1-4 out with an Amount of 127
in the Mod Matrix.
29. CV 2 In Offset: -127…+128—Allows adjustment of the DC offset of
control voltage input 2.