User Manual
Table Of Contents
- A Few Words of Thanks
- Chapter 1: Getting Started
- Rear Panel Connections
- Setting Up the Pro 3
- Using the Main Display
- Sound Banks
- Editing Programs
- Saving a Program
- Using Paraphonic Mode
- Exploring the Pro 3 in Greater Depth
- Chapter 2: Pro 3 Controls
- Oscillators
- Mixer
- Filters
- Amplifier Envelope
- Auxiliary Envelopes
- Low Frequency Oscillators
- Modulation
- Effects
- Arpeggiator
- Sequencer
- Normal, Gated, and Trigger Modes
- Programming the Sequencer
- Recording Phrases/Sequences A,B,C, or D.
- Sequencing Parameter Changes in Real-Time
- Copying a Sequence from One Track to Another
- Copying and Pasting an Entire Sequence
- Muting a Sequence Track
- Creating An Extended Sequence
- Paraphonic Sequencing
- Adding Rests, Ties, and Velocity
- Editing Duration
- Adding Ratcheting
- Editing Other Elements of a Sequence
- Setting or Changing the Destination of a Track
- Recording Additional Sequencer Tracks for Modulation
- Using Slew
- Turning off the Sequencer’s “Notes” Track
- Sequencer Parameters (Front Panel)
- Additional Sequencer Parameters (Display Menus)
- Cue Program
- Tuned Feedback
- Master Volume/Program Volume
- Transpose
- Hold
- Glide
- Pitch and Mod Wheels
- Touch slider
- Adding Aftertouch
- Distortion
- Play List
- Miscellaneous Parameters
- Global Settings
- Chapter 3: Programming the Pro 3
- Synthesis 101: Synth Bass
- Creating Synth Brass
- Creating a Hard-Sync Lead
- Chapter 4: Using the Pro 3 with External Devices
- Appendix A: Modulation Sources
- Appendix B: Modulation Destinations
- Appendix C: Troubleshooting and Support
- Appendix D: Calibrating the Pro 3
- Appendix E: Alternative Tunings
- Appendix F: MIDI Implementation
- Bookmark 1
- Bookmark 1
80
Tuned Feedback
Sequential
Tuned Feedback
Tuned feedback is a method of processing audio using a delay line with tun-
able feedback. By varying the and parameters you can use
it to create a variety of eects, some subtle, and some industrial-grade nasty,
especially if you turn on .
AMOUNT
GRUNGE
TUNING
TUNED
FEEDBACK
The Tuned Feedback controls
Using Tuned Feedback to Perform “Karplus-Srong” Synthesis
You can also use Tuned Feedback as a tone generator. In classic Karplus-
Strong synthesis, a short excitation waveform (white noise) is generated
and fed back into a delay line. e output of the delay line is fed into the
lter. e lter characteristics determine the harmonic structure of the
decaying tone.
To use Tuned Feedback for Karplus-Strong synthesis:
1. In the Mixer, set all oscillator levels to zero.
2. Set the of Aux Envelope 1 to .
3. Set the of Aux Envelope 1 to 127.
4. Set the ADSR values to the following: : 0,
: 45, : 0, : 16.
5. Set the Feedback parameter to 66.