User Manual
Table Of Contents
- A Few Words of Thanks
- Chapter 1: Getting Started
- Rear Panel Connections
- Setting Up the Pro 3
- Using the Main Display
- Sound Banks
- Editing Programs
- Saving a Program
- Using Paraphonic Mode
- Exploring the Pro 3 in Greater Depth
- Chapter 2: Pro 3 Controls
- Oscillators
- Mixer
- Filters
- Amplifier Envelope
- Auxiliary Envelopes
- Low Frequency Oscillators
- Modulation
- Effects
- Arpeggiator
- Sequencer
- Normal, Gated, and Trigger Modes
- Programming the Sequencer
- Recording Phrases/Sequences A,B,C, or D.
- Sequencing Parameter Changes in Real-Time
- Copying a Sequence from One Track to Another
- Copying and Pasting an Entire Sequence
- Muting a Sequence Track
- Creating An Extended Sequence
- Paraphonic Sequencing
- Adding Rests, Ties, and Velocity
- Editing Duration
- Adding Ratcheting
- Editing Other Elements of a Sequence
- Setting or Changing the Destination of a Track
- Recording Additional Sequencer Tracks for Modulation
- Using Slew
- Turning off the Sequencer’s “Notes” Track
- Sequencer Parameters (Front Panel)
- Additional Sequencer Parameters (Display Menus)
- Cue Program
- Tuned Feedback
- Master Volume/Program Volume
- Transpose
- Hold
- Glide
- Pitch and Mod Wheels
- Touch slider
- Adding Aftertouch
- Distortion
- Play List
- Miscellaneous Parameters
- Global Settings
- Chapter 3: Programming the Pro 3
- Synthesis 101: Synth Bass
- Creating Synth Brass
- Creating a Hard-Sync Lead
- Chapter 4: Using the Pro 3 with External Devices
- Appendix A: Modulation Sources
- Appendix B: Modulation Destinations
- Appendix C: Troubleshooting and Support
- Appendix D: Calibrating the Pro 3
- Appendix E: Alternative Tunings
- Appendix F: MIDI Implementation
- Bookmark 1
- Bookmark 1
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Sequencer
Sequential
Programming the Sequencer
By default, Track 1 of the Sequencer controls oscillator frequency, mean-
ing that it’s hard-wired for recording notes. Beyond that, any Sequencer
track can be routed to any modulation destination. A typical scenario
might have other tracks routed to lter cutoff, lter resonance, noise
level for drum-like accents, and so on.
To program a monophonic note sequence:
1. Select a program with a relatively sharp attack and short release.
2. Press the record button. Phrase A is selected by default.
3. Play a sequence of notes on the keyboard. The numbered step LEDs
indicate where you are in the sequence. A white LED indicates the current
step. A red LED indicates a note has been recorded on that step.
4. If you make a mistake, toggle the record button off, then on again, and
replay the notes correctly.
5. If you want to record fewer than 16 steps, play only the notes you want.
If you play more than 16 notes/steps, the Sequencer will ignore the
additional notes.
6. When you’ve nished, press the play button to hear your sequence. A
white LED indicates the current step. A red LED indicates a note has been
recorded on that step.
7. Use the bpm, divide, or tap tempo controls to adjust Sequencer playback
speed.
8. To change playback direction of the sequence, press one of the direc-
tion buttons (rev, fwd/rev, random).
9. To stop playback, press the play button again.
10. To save the sequence, save the program by pressing the write button
twice.
A quick way to edit a step when playback is stopped is to press and hold the step
LED for the desired step. You can then play a note and the Sequencer will update the
sequence to use that note and the velocity at which you played it. You can also edit any
other parameter for that step while you’re at that step location.