User Manual
Table Of Contents
- A Few Words of Thanks
- Chapter 1: Getting Started
- Rear Panel Connections
- Setting Up the Pro 3
- Using the Main Display
- Sound Banks
- Editing Programs
- Saving a Program
- Using Paraphonic Mode
- Exploring the Pro 3 in Greater Depth
- Chapter 2: Pro 3 Controls
- Oscillators
- Mixer
- Filters
- Amplifier Envelope
- Auxiliary Envelopes
- Low Frequency Oscillators
- Modulation
- Effects
- Arpeggiator
- Sequencer
- Normal, Gated, and Trigger Modes
- Programming the Sequencer
- Recording Phrases/Sequences A,B,C, or D.
- Sequencing Parameter Changes in Real-Time
- Copying a Sequence from One Track to Another
- Copying and Pasting an Entire Sequence
- Muting a Sequence Track
- Creating An Extended Sequence
- Paraphonic Sequencing
- Adding Rests, Ties, and Velocity
- Editing Duration
- Adding Ratcheting
- Editing Other Elements of a Sequence
- Setting or Changing the Destination of a Track
- Recording Additional Sequencer Tracks for Modulation
- Using Slew
- Turning off the Sequencer’s “Notes” Track
- Sequencer Parameters (Front Panel)
- Additional Sequencer Parameters (Display Menus)
- Cue Program
- Tuned Feedback
- Master Volume/Program Volume
- Transpose
- Hold
- Glide
- Pitch and Mod Wheels
- Touch slider
- Adding Aftertouch
- Distortion
- Play List
- Miscellaneous Parameters
- Global Settings
- Chapter 3: Programming the Pro 3
- Synthesis 101: Synth Bass
- Creating Synth Brass
- Creating a Hard-Sync Lead
- Chapter 4: Using the Pro 3 with External Devices
- Appendix A: Modulation Sources
- Appendix B: Modulation Destinations
- Appendix C: Troubleshooting and Support
- Appendix D: Calibrating the Pro 3
- Appendix E: Alternative Tunings
- Appendix F: MIDI Implementation
- Bookmark 1
- Bookmark 1
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Pro 3 User’s Guide
Low Frequency Oscillators
Sync: When on, the LFO synchronizes with the master clock, which
controls the Arpeggiator, Sequencer, and certain effects.
Amount: Sets the amount of LFO modulation routed to the selected
destination. Setting an amount here applies the selected modulation
continuously. You can also use the modulation matrix to route an LFO to
additional destinations and use a different modulation amount.
TAB 2 - LFO Control
SLEW RATE
Slew Rate Wave ResetPhase
LFO Dest
PHASE
00
WAVE RESET
LFO ControlLFO Shape
Slew Rate: 0...127—Slew adds a smoothing effect to a control param-
eter by affecting its rate of change. You can think of it as glide/
portamento for control voltages. For example, if you apply a high
slew rate value to the LFO’s pulse wave, its sharp-edges will
be smoothed and it will become more like a sine wave. The same
is true when applied to the s&h/random LFO waveshape: the abrupt
changes will be smoothed.
Phase: 0...127—Use Phase to offset the LFO waveshape’s start point.
For Phase to have any noticeable effect, wave reset must also be enabled
for that LFO. If the LFO is free-running—that is, with wave reset off—
there is no xed start point from which the phase can be offset. This is
useful for modifying the shape of the chosen LFO waveshape.
Wave Reset: Off, On—When off, the LFO is free running. When on,
the LFO is re-started each time a new note is played. wave reset is set
independently for each LFO. This is useful if you want to ensure that the
full waveshape is applied each time you strike a key.