User Manual
Table Of Contents
- A Few Words of Thanks
- Chapter 1: Getting Started
- Rear Panel Connections
- Setting Up the Pro 3
- Using the Main Display
- Sound Banks
- Editing Programs
- Saving a Program
- Using Paraphonic Mode
- Exploring the Pro 3 in Greater Depth
- Chapter 2: Pro 3 Controls
- Oscillators
- Mixer
- Filters
- Amplifier Envelope
- Auxiliary Envelopes
- Low Frequency Oscillators
- Modulation
- Effects
- Arpeggiator
- Sequencer
- Normal, Gated, and Trigger Modes
- Programming the Sequencer
- Recording Phrases/Sequences A,B,C, or D.
- Sequencing Parameter Changes in Real-Time
- Copying a Sequence from One Track to Another
- Copying and Pasting an Entire Sequence
- Muting a Sequence Track
- Creating An Extended Sequence
- Paraphonic Sequencing
- Adding Rests, Ties, and Velocity
- Editing Duration
- Adding Ratcheting
- Editing Other Elements of a Sequence
- Setting or Changing the Destination of a Track
- Recording Additional Sequencer Tracks for Modulation
- Using Slew
- Turning off the Sequencer’s “Notes” Track
- Sequencer Parameters (Front Panel)
- Additional Sequencer Parameters (Display Menus)
- Cue Program
- Tuned Feedback
- Master Volume/Program Volume
- Transpose
- Hold
- Glide
- Pitch and Mod Wheels
- Touch slider
- Adding Aftertouch
- Distortion
- Play List
- Miscellaneous Parameters
- Global Settings
- Chapter 3: Programming the Pro 3
- Synthesis 101: Synth Bass
- Creating Synth Brass
- Creating a Hard-Sync Lead
- Chapter 4: Using the Pro 3 with External Devices
- Appendix A: Modulation Sources
- Appendix B: Modulation Destinations
- Appendix C: Troubleshooting and Support
- Appendix D: Calibrating the Pro 3
- Appendix E: Alternative Tunings
- Appendix F: MIDI Implementation
- Bookmark 1
- Bookmark 1
17
Pro 3 User’s Guide
Oscillators
Exploring Oscillator 3
Because Oscillator 3 is a digital wavetable oscillator, it generates a vari-
ety of waveshapes. In addition to the standard, static waveshapes of sine,
sawtooth, super saw, and pulse waves, it provides 32 wavetables, each
with 16 different waves within that table.
Once you select one of the 32 wavetables with the shape knob, you
can then select a wave within the wavetable using the shape mod knob.
When you turn the shape mod knob, you’ll hear the waveshapes morph
smoothly from one to the next as the Pro 3 interpolates between them.
If you select one of the 32 wavetables, you can then select a specic
static wave. Or, if you use an LFO or the modulation matrix to control
shape mod, you can sweep through the selected table’s 16 waves to create
timbres that shift and evolve in interesting ways.
To listen to Oscillator 3:
1. Press the global button. Use Soft Knob 1 to navigate to the basic
program command, then press Soft Button 1 (write now).
2. In the basic program, only Oscillator 1 is audible. The levels of Oscilla-
tors 2 and 3 are set to zero in the Mixer by default.
3. In the mixer section, turn down the level of Oscillator 1 and turn up the
level of Oscillator 3.
4. Play and hold a note on the keyboard. In the oscillators section, turn
the shape knob on Oscillator 3 to select one of the 32 wavetables. The
rst choices are sine, sawtooth, super saw, and pulse, after that are
wavetables 1-32
5. Turn the shape mod knob to select a waveshape within the currently
selected wavetable. When you turn the knob, you’ll hear the wave-
shapes morph smoothly from one to the next.