User Manual
Table Of Contents
- A Few Words of Thanks
- Chapter 1: Getting Started
- Rear Panel Connections
- Setting Up the Pro 3
- Using the Main Display
- Sound Banks
- Editing Programs
- Saving a Program
- Using Paraphonic Mode
- Exploring the Pro 3 in Greater Depth
- Chapter 2: Pro 3 Controls
- Oscillators
- Mixer
- Filters
- Amplifier Envelope
- Auxiliary Envelopes
- Low Frequency Oscillators
- Modulation
- Effects
- Arpeggiator
- Sequencer
- Normal, Gated, and Trigger Modes
- Programming the Sequencer
- Recording Phrases/Sequences A,B,C, or D.
- Sequencing Parameter Changes in Real-Time
- Copying a Sequence from One Track to Another
- Copying and Pasting an Entire Sequence
- Muting a Sequence Track
- Creating An Extended Sequence
- Paraphonic Sequencing
- Adding Rests, Ties, and Velocity
- Editing Duration
- Adding Ratcheting
- Editing Other Elements of a Sequence
- Setting or Changing the Destination of a Track
- Recording Additional Sequencer Tracks for Modulation
- Using Slew
- Turning off the Sequencer’s “Notes” Track
- Sequencer Parameters (Front Panel)
- Additional Sequencer Parameters (Display Menus)
- Cue Program
- Tuned Feedback
- Master Volume/Program Volume
- Transpose
- Hold
- Glide
- Pitch and Mod Wheels
- Touch slider
- Adding Aftertouch
- Distortion
- Play List
- Miscellaneous Parameters
- Global Settings
- Chapter 3: Programming the Pro 3
- Synthesis 101: Synth Bass
- Creating Synth Brass
- Creating a Hard-Sync Lead
- Chapter 4: Using the Pro 3 with External Devices
- Appendix A: Modulation Sources
- Appendix B: Modulation Destinations
- Appendix C: Troubleshooting and Support
- Appendix D: Calibrating the Pro 3
- Appendix E: Alternative Tunings
- Appendix F: MIDI Implementation
- Bookmark 1
- Bookmark 1
138
Appendix F: MIDI Implementation
Sequential
Additional Continuous Controllers Transmitted/Received
The following table details how MIDI Continuous Controllers (CCs) are
mapped to Pro 3 controls. They are transmitted when MIDI Param Send is set to
CC, and recognized/received when MIDI Param Receive is set to CC.
CC# Param
0
Bank Select Course
1
Mod Wheel
2
Breath Controller
3
BPM
4
Foot Controller
5
Glide Mode (Porta-
mento Time)
6
Data Entry MSB
7
MIDI Volume
8
Audio In Level
9
Audio In Gain
10
Unassigned
11
Expression
12
Voice Volume
13
Paraphonic On/Off
14
Slider 1 Position
15
Unassigned
16
FX 1 On/Off
17
FX 1 Type
18
FX 1 Mix
19
FX 1 Param 1
20
FX 1 Param 2
21
FX 1 Param 3
22
FX 1 Sync On/Off
23
FX 1 Sync Rate
24
FX2 On/Off
25
FX 2 Select
26
FX 2 Mix
27
FX 2 Param 1
28
FX 2 Param 2
29
FX 2 Param 3
30
FX 2 Sync On/Off
CC# Param
31
FX 2 Sync Rate
32
Bank Select Fine
33
Filter Cutoff
34
Filter Resonance
35
Filter Keyboard
Tracking Amount
36
Filter Drive
37
Filter Type
38
Data Entry LSB
39
Unassigned
40
VCA Env. Amount
41
VCA Env. Velocity
On/Off
42
VCA Env. Delay
43
VCA Env. Attack
44
VCA Env. Decay
45
VCA Env. Sustain
46
VCA Env. Release
47
Filter Env. Amount
48
Filter Env. Velocity
On/Off
49
Filter Env. Delay
50
Filter Env. Attack
51
Filter Env. Decay
52
Filter Env. Sustain
53
Filter Env. Release
54
Osc. 1 Glide Rate
55
Osc. 2 Glide Rate
56
Osc. 3 Glide Rate
57
Swing
58
Arp. On/Off
59
Arp. Mode
60
Arp. Range
61
Arp. Relatch On/Off
CC# Param
62
Clock Divide
63
Arp. Repeats
64
Sustain Pedal
65
Oscillator Glide
On/Off
66
Osc. 1 Octave
67
Osc. 1 Fine
Frequency
68
Osc. 1 Level
69
Osc. 1 Shape
70
Osc. 1 Shape Mod
71
Osc. 1 Sync On/Off
72
Osc. 1 Slop
73
Noise level
74
Brightness
75
Osc. 2 Octave
76
Osc. 2 Fine
Frequency
77
Osc. 2 Level
78
Osc. 2 Shape
79
Osc. 2 Shape Mod
80
Osc. 2 Sync On/Off
81
Osc. 2 Slop
82
Osc. 3 Octave
83
Osc. 3 Fine
Frequency
84
Osc. 3 Level
85 Osc. 3 Shape
86 Osc. 3 Shape Mod
87 Osc. 3 LFO Mode
On/Off
88 Osc. 3 Slop
89 Feedback Amount