User Manual
Table Of Contents
- A Few Words of Thanks
- Chapter 1: Getting Started
- Rear Panel Connections
- Setting Up the Pro 3
- Using the Main Display
- Sound Banks
- Editing Programs
- Saving a Program
- Using Paraphonic Mode
- Exploring the Pro 3 in Greater Depth
- Chapter 2: Pro 3 Controls
- Oscillators
- Mixer
- Filters
- Amplifier Envelope
- Auxiliary Envelopes
- Low Frequency Oscillators
- Modulation
- Effects
- Arpeggiator
- Sequencer
- Normal, Gated, and Trigger Modes
- Programming the Sequencer
- Recording Phrases/Sequences A,B,C, or D.
- Sequencing Parameter Changes in Real-Time
- Copying a Sequence from One Track to Another
- Copying and Pasting an Entire Sequence
- Muting a Sequence Track
- Creating An Extended Sequence
- Paraphonic Sequencing
- Adding Rests, Ties, and Velocity
- Editing Duration
- Adding Ratcheting
- Editing Other Elements of a Sequence
- Setting or Changing the Destination of a Track
- Recording Additional Sequencer Tracks for Modulation
- Using Slew
- Turning off the Sequencer’s “Notes” Track
- Sequencer Parameters (Front Panel)
- Additional Sequencer Parameters (Display Menus)
- Cue Program
- Tuned Feedback
- Master Volume/Program Volume
- Transpose
- Hold
- Glide
- Pitch and Mod Wheels
- Touch slider
- Adding Aftertouch
- Distortion
- Play List
- Miscellaneous Parameters
- Global Settings
- Chapter 3: Programming the Pro 3
- Synthesis 101: Synth Bass
- Creating Synth Brass
- Creating a Hard-Sync Lead
- Chapter 4: Using the Pro 3 with External Devices
- Appendix A: Modulation Sources
- Appendix B: Modulation Destinations
- Appendix C: Troubleshooting and Support
- Appendix D: Calibrating the Pro 3
- Appendix E: Alternative Tunings
- Appendix F: MIDI Implementation
- Bookmark 1
- Bookmark 1
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Appendix F: MIDI Implementation
Sequential
Appendix F: MIDI Implementation
The Pro 3 receives MIDI data according to the settings you have chosen
in globals. In addition, there is interaction between some of the program
parameters that determine the overall response of Pro 3 to MIDI data.
These are the globals parameters that affect response to MIDI:
MIDI Channel: All, 1…16—Selects which MIDI channel to send and
receive data, 1 to 16. All receives on all 16 channels.
MIDI Clock Mode: Sets the Pro 3’s ability to send and receive MIDI
clock messages:
• Off: MIDI Clock is neither sent nor received
• Master: MIDI Clock is sent, but not received
• Slave: MIDI Clock is received, but not sent
• Slave Thru: MIDI Clock is received and passed to MIDI Out
• Slave No S/S (no start and stop): Receives MIDI Clock but does not
respond to MIDI Start or Stop command.
When set to slave or slave thru, if no MIDI clock is present at the selected input,
the arpeggiator and sequencer will not function.
MIDI Clock Cable In: MIDI, USB—Sets the port, MIDI or USB, by
which MIDI clock signals are received.
MIDI Clock Cable Out: MIDI 1, MIDI 2, USB, MIDI All, ALL—Sets the
port, MIDI or USB, by which MIDI clock signals are sent.
MIDI Param Send: Off, CC, NRPN—Changes to the values of front panel
controls are transmitted via MIDI as Continuous Controllers (CC) or
Non-Registered Parameter Number (NRPN). Transmission of parameters
can also be turned off.
NRPNs are the preferred method of parameter transmission, since they cover
the complete range of all parameters, while CCs are limited to a range of 128.