User Manual
Table Of Contents
- A Few Words of Thanks
- Chapter 1: Getting Started
- Rear Panel Connections
- Setting Up the Pro 3
- Using the Main Display
- Sound Banks
- Editing Programs
- Saving a Program
- Using Paraphonic Mode
- Exploring the Pro 3 in Greater Depth
- Chapter 2: Pro 3 Controls
- Oscillators
- Mixer
- Filters
- Amplifier Envelope
- Auxiliary Envelopes
- Low Frequency Oscillators
- Modulation
- Effects
- Arpeggiator
- Sequencer
- Normal, Gated, and Trigger Modes
- Programming the Sequencer
- Recording Phrases/Sequences A,B,C, or D.
- Sequencing Parameter Changes in Real-Time
- Copying a Sequence from One Track to Another
- Copying and Pasting an Entire Sequence
- Muting a Sequence Track
- Creating An Extended Sequence
- Paraphonic Sequencing
- Adding Rests, Ties, and Velocity
- Editing Duration
- Adding Ratcheting
- Editing Other Elements of a Sequence
- Setting or Changing the Destination of a Track
- Recording Additional Sequencer Tracks for Modulation
- Using Slew
- Turning off the Sequencer’s “Notes” Track
- Sequencer Parameters (Front Panel)
- Additional Sequencer Parameters (Display Menus)
- Cue Program
- Tuned Feedback
- Master Volume/Program Volume
- Transpose
- Hold
- Glide
- Pitch and Mod Wheels
- Touch slider
- Adding Aftertouch
- Distortion
- Play List
- Miscellaneous Parameters
- Global Settings
- Chapter 3: Programming the Pro 3
- Synthesis 101: Synth Bass
- Creating Synth Brass
- Creating a Hard-Sync Lead
- Chapter 4: Using the Pro 3 with External Devices
- Appendix A: Modulation Sources
- Appendix B: Modulation Destinations
- Appendix C: Troubleshooting and Support
- Appendix D: Calibrating the Pro 3
- Appendix E: Alternative Tunings
- Appendix F: MIDI Implementation
- Bookmark 1
- Bookmark 1
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Appendix C: Troubleshooting and Support
Sequential
Appendix C: Troubleshooting
and Support
Troubleshooting
If you’re experiencing problems or unexpected behavior from your Pro
3, here are a few typical scenarios and their solutions:
If the Pro 3 isn’t producing sound:.
1. Recall the Basic Program by holding the Transpose down button and
pressing the latch button.
2. If the problem is still there, check the following:
• Volume - make sure it is set to an appropriate value
• Rear-panel output jacks - make your audio cables are connected to left/right
output.
• In the global menu, make sure that local control is set to on.
If the sequencer or arpeggiator has stopped running:
• Check the midi clock mode setting in global to ensure the Pro 3 is set
to master or off. Or if set to slave or slave thru or slave no s/s, make
sure the Pro 3 is receiving MIDI clock.
If some of the programs sound different than usual:
• In the Global menu, check scale/alt tuning and make sure it’s set to
equal temperament. Also, check the Mod wheel position. The Mod
wheel can do more than just add vibrato. Also, check the midi clock
mode setting in the global menu to ensure the Pro 3 is set to master or
off. Or if set to slave or slave thru or slave no s/s, make sure the Pro 3
is receiving MIDI clock.
If there is a ground hum in the audio output:
• USB can cause ground loops, so try to resolve any grounding issues
between the computer (if connected) and the Pro 3. Or use MIDI, which is
opto-isolated.