User Manual
Table Of Contents
- A Few Words of Thanks
- Chapter 1: Getting Started
- Rear Panel Connections
- Setting Up the Pro 3
- Using the Main Display
- Sound Banks
- Editing Programs
- Saving a Program
- Using Paraphonic Mode
- Exploring the Pro 3 in Greater Depth
- Chapter 2: Pro 3 Controls
- Oscillators
- Mixer
- Filters
- Amplifier Envelope
- Auxiliary Envelopes
- Low Frequency Oscillators
- Modulation
- Effects
- Arpeggiator
- Sequencer
- Normal, Gated, and Trigger Modes
- Programming the Sequencer
- Recording Phrases/Sequences A,B,C, or D.
- Sequencing Parameter Changes in Real-Time
- Copying a Sequence from One Track to Another
- Copying and Pasting an Entire Sequence
- Muting a Sequence Track
- Creating An Extended Sequence
- Paraphonic Sequencing
- Adding Rests, Ties, and Velocity
- Editing Duration
- Adding Ratcheting
- Editing Other Elements of a Sequence
- Setting or Changing the Destination of a Track
- Recording Additional Sequencer Tracks for Modulation
- Using Slew
- Turning off the Sequencer’s “Notes” Track
- Sequencer Parameters (Front Panel)
- Additional Sequencer Parameters (Display Menus)
- Cue Program
- Tuned Feedback
- Master Volume/Program Volume
- Transpose
- Hold
- Glide
- Pitch and Mod Wheels
- Touch slider
- Adding Aftertouch
- Distortion
- Play List
- Miscellaneous Parameters
- Global Settings
- Chapter 3: Programming the Pro 3
- Synthesis 101: Synth Bass
- Creating Synth Brass
- Creating a Hard-Sync Lead
- Chapter 4: Using the Pro 3 with External Devices
- Appendix A: Modulation Sources
- Appendix B: Modulation Destinations
- Appendix C: Troubleshooting and Support
- Appendix D: Calibrating the Pro 3
- Appendix E: Alternative Tunings
- Appendix F: MIDI Implementation
- Bookmark 1
- Bookmark 1
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Chapter 4: Using the Pro 3 with External Devices
Sequential
Chapter 4: Using the Pro 3 with
External Devices
This chapter explains how to use the Pro 3 to process external audio,
how to
synchronize the Pro 3’s Sequencer to an external MIDI device, and how
to use the Pro 3 with a modular synthesizer.
Processing External Audio
The Pro 3 makes a great effects processor. The example below shows
you how connect external audio to the Pro 3 and process it in real time by
tweaking knobs and controls.
To hear an external audio signal, you need to gate the amplier and lter open.
When you do this, you will also hear the Pro 3’s oscillators droning since they’re
continuously producing sound. To avoid continuous oscillator drone, set the level of all
oscillators to zero in the Mixer.
To process external audio:
1. Connect an instrument or audio signal to the audio in jack on the rear of
the Pro 3 and turn up the instrument to a suitable level.
2. Press the hold button then play a key on the keyboard. This holds the
VCA open.
3. To avoid continuous oscillator drone, set the level of all oscillators to
zero in the Mixer.
4. Turn up the ext audio knob in the Mixer section of the Pro 3. (If you
need to further boost the signal, adjust input level and input gain.
When you adjust the ext audio knob in the mixer, these controls appear
in the display.
5. Turn the sustain knob on the amplier envelope to 127.
6. Turn the sustain knob on the lter envelope to 127.
7. Play the external audio source.
8. Tweak parameters such as lter cutoff, distortion, drive, tuned feed-
back, effects, and so on to process the sound.